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[ subject:"Mimesis in literature." ]
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Modernism and mimesis
~
Dowden, Stephen D.
Modernism and mimesis
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Modernism and mimesisby Stephen D. Dowden.
作者:
Dowden, Stephen D.
出版者:
Cham :Springer International Publishing :2020.
面頁冊數:
ix, 283 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
標題:
Mimesis in literature.
電子資源:
https://doi.org/10.1007/978-3-030-53134-8
ISBN:
9783030531348$q(electronic bk.)
Modernism and mimesis
Dowden, Stephen D.
Modernism and mimesis
[electronic resource] /by Stephen D. Dowden. - Cham :Springer International Publishing :2020. - ix, 283 p. :ill., digital ;24 cm.
1. Chapter 1: Uneasy Modernism -- 2. Chapter 2: Novelistic Style and the Disappearance of Breakfast -- 3. Chapter 3: Painting the World Picture -- 4. Chapter 4: Music as Natural Magic -- 5. Chapter 5: The Gift of Babel.
This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither "difficult" nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naivete rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
ISBN: 9783030531348$q(electronic bk.)
Standard No.: 10.1007/978-3-030-53134-8doiSubjects--Topical Terms:
177584
Mimesis in literature.
LC Class. No.: PN56.M536 / D693 2020
Dewey Class. No.: 809.9112
Modernism and mimesis
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This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither "difficult" nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naivete rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
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