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[ subject:"Tolstoy, Leo," ]
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The bond of the furthest apartessays...
~
Bresson, Robert
The bond of the furthest apartessays on Tolstoy, Dostoevsky, Bresson, and Kafka /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The bond of the furthest apartSharon Cameron.
其他題名:
essays on Tolstoy, Dostoevsky, Bresson, and Kafka /
作者:
Cameron, Sharon.
出版者:
Chicago ;The University of Chicago Press,2017.
面頁冊數:
1 online resource.
電子資源:
https://www.degruyter.com/isbn/9780226414232
ISBN:
9780226414232$q(electronic bk.)
The bond of the furthest apartessays on Tolstoy, Dostoevsky, Bresson, and Kafka /
Cameron, Sharon.
The bond of the furthest apart
essays on Tolstoy, Dostoevsky, Bresson, and Kafka /[electronic resource] :Sharon Cameron. - 1st ed. - Chicago ;The University of Chicago Press,2017. - 1 online resource.
Includes bibliographical references and index.
Animal sentience: Robert Bresson's Au hasard Balthazar -- "Outside Christ": Dostoevsky's joy -- The sight of death in Tolstoy -- Robert Bresson's pathos -- Kafka's no-hope spaces.
In the French filmmaker Robert Bresson's cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The 'bond' of Sharon Cameron's title refers to the astonishing connections found both within Bresson's films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson's in their resistance to all forms of abstraction and classification that segregate aspects of reality.
ISBN: 9780226414232$q(electronic bk.)
Standard No.: 40027046266Subjects--Personal Names:
902123
Bresson, Robert
--Criticism and interpretation.
LC Class. No.: PN1998.3.B755 / C35 2017eb
Dewey Class. No.: 809
The bond of the furthest apartessays on Tolstoy, Dostoevsky, Bresson, and Kafka /
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essays on Tolstoy, Dostoevsky, Bresson, and Kafka /
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Animal sentience: Robert Bresson's Au hasard Balthazar -- "Outside Christ": Dostoevsky's joy -- The sight of death in Tolstoy -- Robert Bresson's pathos -- Kafka's no-hope spaces.
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In the French filmmaker Robert Bresson's cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The 'bond' of Sharon Cameron's title refers to the astonishing connections found both within Bresson's films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson's in their resistance to all forms of abstraction and classification that segregate aspects of reality.
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https://www.degruyter.com/isbn/9780226414232
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