Art History.
概要
| 作品: | 98 作品在 37 項出版品 37 種語言 | |
|---|---|---|
書目資訊
Site specificity and the problematics of public art :Recent transformations at the intersection of art and architecture.
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Natural light as religious symbol in selected European and American religious buildings.
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Space between disciplines, 1967 :Identifying architecture in modernist and literalist criticism.
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Spaces of representation/representations of space. Discourses of architecture, urbanism and the built environment, 1960-1995.
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Monuments of rural archaeology :Medieval settlements in the northwestern Peloponnese (Greece).
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The city rehearsed :Architecture, rhetoric, and print in the arts of Hans Vredeman de Vries (1526--1609)
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Kongo machinery :Graphic writing and other narratives of the sign (Angola, Congo, Cuba)
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The aesthetics of mass-persuasion :War and architectural sites in Tokyo, 1868--1945 (Japan)
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Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).
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En-acting "others": Ethnic, gender, and racial performance in works by Eleanor Antin, Adrian Piper, and Anna Deavere Smith.
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New York and European Dada art journals, 1916--1926: International venues of exchange.
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Galahad in the Gilded Age: Edwin Austin Abbey's "The Quest of the Holy Grail" and the campaign for civic virtue.
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Beyond mimesis in Greek religious art: Aniconism in the Archaic and Classical periods.
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Hedgewhores, wagtails, cockatrices, whipsters: John Singer Sargent and his coterie of nature's artful dodgers.
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Legend and architecture in the Ottoman Empire: The shrines of Seyyid Gazi and Haci Bektas (Turkey).
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Fin de siecle snapshots: National fictions, landscapes and multitudes (Spanish text, Argentina, Mexico).
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David's "fruytfull saynges": The Penitential Psalms in late-medieval and early-modern England.
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The Prophet Muh&dotbelow;ammad's ascension (mi`raj) in Islamic art and literature, ca. 1300--1600.
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Figure, symbol, and sign: Semiotics and function of Early Dynastic I cylinder seal imagery from Ur (Mesopotamia).
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Central Asia in the context of the Achaemenid Persian Empire (6th to 4th centuries B.C.).
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The Atik Valide Mosque Complex: A testament of Nurbanu's prestige, power and piety (Turkey).
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The construction of Ottoman Aleppo: Modes and meanings of urban (re-)organization (Syria).
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The federally funded American dream: Public housing as an engine for social improvement, 1933--1937.
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Christians of the Western Desert in late antiquity: The fourth-century church complex of Ain el-Gedida, Upper Egypt.
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Exchange of forces: Environmental definition of materials in the works of Vitruvius, Alberti, Le Corbusier, and Peter Zumthor.
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The history and life stories of European women in the artsfrom the Middle Ages to the present /
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Marjorie Barstow and the Alexander Techniquecritical thinking in performing arts pedagogy /
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Showing timecontinuous pictorial narrative and the Adam and Eve story : in memory of Alberto Argenton /
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Teaching South and Southeast Asian artmultiethnicity, cross-racial interaction, and nationalism /
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ReEnvisioning the material pasthow to educate and engage modern students using visual culture /
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Art, science, and diplomacya study of the visual images of the Macartney Embassy to China, 1793 /
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A regulatory framework for the art market?authenticity, forgeries and the role of art experts /
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Art discovery and censorship in the Centre William Rappard of Genevabuilding the future /
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Imperial museum dynasties in EuropePapal ethnographic collections and material culture /
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