Literature, Asian.
Overview
Works: | 15 works in 0 publications in 0 languages |
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Titles
Claims for higher narrative in the "Tale of Genji" and "The Faerie Queene" (Murasaki Shikibu, Japan, Edmund Spenser).
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Literary reactions to the "cult of facts" in Mori Ogai and Virginia Woolf (Japan).
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Alternative male sexualities in the fiction of post-war Japanese female writers :Possibly feminist feminist possibilities (Mori Mari, Yoshimoto Banana, Matsuura Rieko).
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The body, rhythm and space :Interactions between writing, arts and technologies in three modern Japanese authors (Tayama Katai, Tamura Toshiko, Mishima Yukio).
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Politicizing the aesthetic :The dialectics of poetic production in late twentieth-century South Korea, 1960--1987 (Kim Suyong, Kim Chiha, Pak Nohae, Hwang Ji-woo).
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Rehearsing the Partition :Performing nation, gender, and violence (India, Pakistan)
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Craving for the absolute: The sublime and the tragic in Mishima Yukio's theatrical works (Japan).
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Constituting the exception: Law, literature and the state of emergency in postcolonial India (Shauna Singh Baldwin, Bapsi Sidhwa, Salman Rushdie, Rohinton Mistry, O. V. Vijayan).
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In good order: Poetry, reception, and authority in the Nara and early Heian courts (Japan).
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"The Mock One Hundred Poets" in word and image: Parody, satire, and mitate in seventeenth-century comic poetry (kyoka) (Japan, Fujiwara Sadaie).
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Soseki and the moral imagination: "Mon", "Kokoro", and "Michikusa" (Japan, Natsume Soseki).
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Ciphers, or, tropes of ir-reference: The Bildungsroman, realism, allegory, and xing.
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Writing at the edge: Narratives of Okinawan history and cultural identity in the literary texts of Oshiro Tatsuhiro (Japan).
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Principles and development of the Brahaman&dotbelow;ical sutra genre (India).
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