Literature, English.
Overview
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Titles
The controverted self :A legacy of Renaissance literary rhetoric in modern legal theory (Francis Bacon).
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Contracts, bonds, and sureties :The use of legal instruments in Shakespeare's problem plays (William Shakespeare).
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Anxious narratives :The Irish plot in English fictions and polemics of the 1840s (George Poulett Scrope, Nassau Senior, John Stuart Mill, Charles Trevelyan).
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Claims for higher narrative in the "Tale of Genji" and "The Faerie Queene" (Murasaki Shikibu, Japan, Edmund Spenser).
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The road to Delphi :Chaucerian poetics and the legacy of Apollo (Geoffrey Chaucer).
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Trying testimony :Heresy, interrogation and the English woman writer, 1400--1670 (Margery Kempe, Anne Askew, Katherine Evans, Sarah Cheevers).
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Literary reactions to the "cult of facts" in Mori Ogai and Virginia Woolf (Japan).
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Strong language :Oaths, obscenities, and performative literature in early modern England.
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Indoctrinating the text :Reformation controversies and Renaissance texts, 1559--1640.
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Trials of conscience :Criminalizing religious dissidence in Elizabethan England.
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Regret :Martial, marital mortal (George Eliot, Joseph Conrad, Emily Bronte).
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Stranger than fiction :Wonder and the novel in eighteenth-century Britain.
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The working traveler :Perception, knowledge, and exchange in nineteenth-century American travel literature (Herman Melville, Richard Henry Dana, Jr., James Fenimore Cooper, Nathaniel Hawthorne, Henry James, Henry Adams).
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The Arab takes on Shakespeare :Adaptation, allusion, and the struggle for artistic identity in Egypt (William Shakespeare).
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Herbert of Bosham's "Liber melorum" :Literature and sacred sciences in the twelfth century.
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Maudlin Whigs :Gender, feeling, and party on the British stage, 1688--1746 (Nicholas Rowe, Joseph Addison, Richard Steele, James Thomson).
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Wedlock and fetters :Marriage, antislavery and abolition in eighteenth century British literature, 1759--1808.
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Vast expertise :Professionalism and displacement in twentieth-century culture.
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Music, Ovid and the triumph of sound in Shakespearean drama (William Shakespeare).
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Against all odds :The sway of chance in eighteenth-century Britain (Daniel Defoe, Henry Fielding).
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The physiology of "song" :Sound, meaning, and politics in "objectivist" poetics (Louis Zukofsky, Basil Bunting, Lorine Niedecker).
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Modernism and coherence :Four chapters of a negative aesthetics (Ireland, James Joyce, Wallace Stevens, Robert Frost).
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Swift and paper credit :Financial satire in the colonial milieu (Jonathan Swift).
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The aesthetics of doubt :Skepticism and tragedy from Marlowe to Dryden (Christopher Marlowe, John Dryden).
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Taking care :Injury and responsibility in literature and law (Joseph Conrad, Virginia Woolf, Rebecca West).
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Esotericism and Orientalism :Nineteenth-century narrative initiations (Rudyard Kipling, Richard Burton)
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The Mary Stuart myth in 20th century Russian literature (Valerii Briusov, Marina Cvetaeva, Boris Pasternak, Joseph Brodsky)
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Music in the words :Fugue, sonata-allegro, thematic transformation, and counterpoint in the twentieth-century novel (Douglas Hofstadter, Anthony Burgess, England, James Joyce, Ireland)
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The modernist origins of a crisis in humanism (Walter Pater, Marguerite Yourcenar, France, Andre Gide, England)
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Justice for the dead :Schemes of transformation through phrase hermeneutics (William Shakespeare)
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Within the bosom of the bard :Shakespeare and social death (William Shakespeare, Mary Shelley, Jewelle Gomez)
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The literature of conversion in early modern England (William Alabaster, John Donne, Richard Crashaw, John Dryden)
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The poetics of maturity :Autonomy and aesthetic education in Byron, Pushkin, and Stendhal (Lord Byron, Aleksandr Sergeevich Pushkin, Russia, France)
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Restoring the Golden Age :Mythology in revolutionary ideologies and culture
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Performance matters :Culture and theatrical signification in the early English public playhouses (William Shakespeare)
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Engendering Great Britain :Literary representations of Anglo-Scottish relations, 1700--1830 (Tobias George Smollett, Adam Smith, Susan Ferrier, Sir Walter Scott)
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More than an order of words :The pursuit of a moral style in Victorian prose and writing of the First World War
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Islands of love :Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden)
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Authorial alibis :Early modern women's writing and the limits of literature
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Putting Russia on the globe :The matter of Muscovy in early modern English travel writing and literature
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"The hero of submission" :Masochism and the aesthetic problem in horror (Bob Flanagan, Tobias George Smollett, Horace Walpole)
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The trials of orality in early modern England, 1550--1625 (Ben Johnson, William Shakespeare, Thomas Kyd)
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Synthetic vernacular poetry and transatlantic modernism, 1922--2002 (T. S. Eliot, Hugh MacDiarmid, Scotland, Basil Bunting, Kamau Brathwaite, Barbados, Melvin B. Tolson, Harryette Romell Mullen).
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The dream and the book: Chaucer's dream-poetry, faculty psychology, and the poetics of recombination (Geoffrey Chaucer).
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The 'school of devotion': Imagination and cognition in medieval meditations on Christ (Saint Bonaventure, William Langland, Nicholas Love).
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Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
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"Nothing but change": Women's economies of aging, 1919--1939 (Rose Macaulay, Virginia Woolf, May Sinclair, Jean Rhys, Dominica).
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Before imagination: Literary reverie's opening to the present (James Boswell, Mary Wollstonecraft, Samuel Taylor Coleridge, William Wordsworth, England).
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Auditory obsessions and fundamental sounds: A genealogy of murmurs in literary listening through Beckett (Samuel Beckett, Ireland, France).
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Books made men: Early modern drama and the fictions of intellectual property (William Shakespeare, Christopher Marlowe, Robert Greene).
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Kalendes of chaunge: Thinking through change in Middle English poetry (William Langland, John Gower, Geoffrey Chaucer, Gawain poet).
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David's "fruytfull saynges": The Penitential Psalms in late-medieval and early-modern England.
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'Strangely entangled': Alternative antiquities in Renaissance English poetry (George Puttenham, William Shakespeare, John Donne).
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Faith, embodiment, and "turning Turk": Islamic conversion on the early modern stage and the production of religious and racial identity.
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Missing histories: The absence of late medieval literature (Geoffrey Chaucer, Francesco Petrarca, Giovanni Boccaccio, Italy).
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Finite jest: Performance, authorship and the assimilations of the stage clown in early modern English theater, 1588--1673.
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The writing of modern life (William Morris, George Eliot, James Joyce, Ireland).
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Disavowing possession: Story, style, and the social in Jamesian narrative (Henry James).
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A critical edition of the Middle Irish saga "Aided Guill meic Carbada ocus Aided Gairb Glinni Rigi".
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Reverie, reading, and the Victorian novel (Charlotte Bronte, Charles Dickens, George Eliot, England).
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Imagining the book in early modern England: The romance of reading in the age of print (Edmund Spenser, Christopher Marlowe, William Shakespeare, Miguel de Cervantes Saavedra, Spain, Mary, Lady Wroth).
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Anxious acts: Religion and autobiography in early modern England (John Donne, John Milton, Thomas Browne, John Bunyan).
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The metropolis of popery: Writing of Rome in the English Renaissance (Italy).
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The miscellaneous: Toward a poetics of the mode in British literature, 1668--1759.
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Beyond agency: Women writing romance as political intervention in the English Revolution.
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New conceptions of time and the making of a political-economic public in eighteenth-century Britain.
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Grounding the figure of the heroine: The "other women" in Jane Austen's novels.
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Gift/economy: Drama and the politics of gift-giving in early modern England.
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Romantic emulation and aesthetic citizenship in Jean-Jacques Rousseau, Charlotte Smith, Mme de Stael and Frances Burney.
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Second sight: Re-imaging the optic regime in Behn's, Southerne's, Smith's, and Mackenzie's colonial texts of the long eighteenth century.
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Love and excess? Women's scandalous fiction and the discourse of gender, 1680-1730.
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The other Enlightenment: Excess and the epistolary novel in the long eighteenth century.
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The English novel's cradle: The theatre and the women novelists of the long eighteenth century.
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Empirical possibilities: Close attention to material things in early eighteenth-century England.
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The use of silence and propriety in Jane Austen's "Mansfield Park" and "Persuasion".
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Cultivating difference in early modern drama and the literature of travel.
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"Incestuous sheets" and "adulterate beasts": Incest and miscegenation in early modern drama.
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Promiscuous Generation: Rogue Sexuality and Social Reproduction in Early Modern England.
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