English fiction - History and criticism. - 19th century
Overview
Works: | 159 works in 80 publications in 80 languages |
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Titles
Is Heathcliff a murderer? :great puzzles in nineteenth-century literature /
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Darwin's plots :evolutionary narrative in Darwin, George Eliot, and nineteenth-century fiction /
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The serious pleasures of suspense :Victorian realism and narrative doubt /
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Unequal partners :Charles Dickens, Wilkie Collins, and Victorian authorship /
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Psychosocial spaces :verbal and visual readings of British culture, 1750-1820 /
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Preaching pity :Dickens, Gaskell, and sentimentalism in Victorian culture /
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Culture, class, and gender in the Victorian novel :gentlemen, gents, and working women /
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The reading lesson :the threat of mass literacy in nineteenth-century British fiction /
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A literature of their own :British women novelists from Bronte to Lessing /
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Sisters in time :imagining gender in nineteenth-century British fiction /
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Modes of discipline :women, conservatism, and the novel after the French Revolution /
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Fiction, famine, and the rise of economics in Victorian Britain and Ireland
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The fantasy of familynineteenth-century children's literature and the myth of the domestic ideal /
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The reenchantment of nineteenth-century fictionDickens, Thackeray, George Eliot, and serialization /
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Moulding the female body in Victorian fairy tales and sensation novels /
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The evolutionary imagination in late-Victorian novels :an entangled bank /
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Language, science and popular fiction in the Victorian fin-de-siècle :the brutal tongue /
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Language, science and popular fiction in the Victorian fin-de-si�ecle :the brutal tongue /
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Fictions of resolution in three Victorian novels :North and South, Our mutual friend, Daniel Deronda /
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Corrupt relations :Dickens, Thackeray, Trollope, Collins, and the Victorian sexual system /
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Victorian detective fiction and the nature of evidence :the scientific investigations of Poe, Dickens, and Doyle /
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The Victorian freak show :the significance of disability and physical differences in 19th-century fiction /
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The awkward age in women's popular fiction, 1850-1900girls and the transition to womanhood /
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The novelty of newspapersVictorian fiction after the invention of the news /
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Victorian detective fiction and the nature of evidencethe scientific investigations of Poe, Dickens, and Doyle /
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Rereading the nineteenth centurystudies in the old criticism from Austen to Lawrence /
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Family likeness :sex, marriage, and incest from Jane Austen to Virginia Woolf /
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Philanthropy in British and American fiction :Dickens, Hawthorne, Eliot, and Howells /
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Novel craft :Victorian domestic handicraft and nineteenth-century fiction /
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Unseasonable youthmodernism, colonialism, and the fiction of development /
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Women's authorship and editorship in Victorian culturesensational strategies /
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Gender and ventriloquism in Victorian and neo-Victorian fictionpassionate puppets /
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A return to the common reader :print culture and the novel, 1850-1900 /
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Semi-detached empiresuburbia and the colonization of Britain, 1880to the present /
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The vulgar question of moneyheiresses, materialism, and the novel of manners from Jane Austen to Henry James /
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Charity and condescensionVictorian literature and the dilemmas of philanthropy /
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The dispossessed statenarratives of ownership in nineteenth-century Britain and Ireland /
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The dream life of citizenslate Victorian novels and the fantasy ofthe state /
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Women writers and detectives in nineteenth-century crime fictionthe mothers of the mystery genre /
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The 'invisible hand' and British fiction 1818-1860Adam Smith, political economy, and the genre of realism /
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Femininity, crime and self-defence in Victorian literature and societyfrom dagger-fans to suffragettes /
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Feminine subjects in masculine fictionmodernity, will and desire, 1870-1910 /
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Postal plots in British fiction, 1840-1898readdressing correspondence in Victorian culture /
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Habit in the English Novel, 1850-1900 :Lived Environments, Practices of the Self /
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Fin-de-Sie��cle fictions, 1890s-1990s :apocalypse, technoscience, empire /
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Antifeminism and the Victorian novel :rereading nineteenth-century women writers /
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The awkward age in women's popular fiction, 1850-1900 :girls and the transition to womanhood /
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The "improper" feminine :the women's sensation novel and the new woman writing /
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Disease, desire, and the body in Victorian women's popular novels /
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The private rod :marital violence, sensation, and the law in Victorian Britain /
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Technologies of power in the Victorian periodprint culture, human labor, and new modes of critique in Charles Dickens's Hard Times, Charlotte Bronte's Shirley, and George Eliot's Felix Holt /
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Gothic forensicscriminal investigative procedure in Victorian horror & mystery /
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Women and 'value' in Jane Austen's novelssettling, speculating and superfluity /
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New woman and colonial adventure fiction in Victorian Britain :gender, genre, and empire /
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Nobody's angels :middle-class women and domestic ideology in Victorian culture /
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Professional domesticity in the Victorian novel :women, work and home /
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Women's domestic activity in the romantic-period novel, 1770-1820dangerous occupations /
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Nineteenth century popular fiction, medicine and anatomythe Victorian penny blood and the 1832 Anatomy Act /
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Victorian cosmopolitanism and English Catholicity in the mid-century novel
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British women's short supernatural fiction, 1860-1930our own ghostliness /
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An underground history of early Victorian fictionChartism, radical print culture, and the social problem novel /
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British women's writing from Bronte to Bloomsbury.Volume 2,1860s and 1870s
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The haunted house in women's ghost storiesgender, space and modernity, 1850-1945 /
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Familial feelingentangled tonalities in early Black Atlantic writing and the rise of the British novel /
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Settler colonialism in Victorian literatureeconomics and political identity in the networks of empire /
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Threatened masculinity from British fiction (1880-1915) to Cold War German cinema
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Reading bodies in Victorian fictionassociationism, empathy and literary authority /
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Postcolonial settings in the fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stokerstrange surroundings /
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Authors and adaptationwriting across media in the nineteenth and early twentieth centuries /
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Sensation fiction and modernitythe meanings of ambivalence in Mid-Victorian Britain /
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