Theater.
Overview
Works: | 67 works in 14 publications in 14 languages |
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Titles
Contracts, bonds, and sureties :The use of legal instruments in Shakespeare's problem plays (William Shakespeare).
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Maudlin Whigs :Gender, feeling, and party on the British stage, 1688--1746 (Nicholas Rowe, Joseph Addison, Richard Steele, James Thomson).
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Music, Ovid and the triumph of sound in Shakespearean drama (William Shakespeare).
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The aesthetics of doubt :Skepticism and tragedy from Marlowe to Dryden (Christopher Marlowe, John Dryden).
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Pedagogies of resistance (Sigmund Freud, Albert Camus, Tennessee Williams, Tony Kushner)
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Within the bosom of the bard :Shakespeare and social death (William Shakespeare, Mary Shelley, Jewelle Gomez)
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Performance matters :Culture and theatrical signification in the early English public playhouses (William Shakespeare)
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Rehearsing the Partition :Performing nation, gender, and violence (India, Pakistan)
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Islands of love :Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden)
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The trials of orality in early modern England, 1550--1625 (Ben Johnson, William Shakespeare, Thomas Kyd)
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Craving for the absolute: The sublime and the tragic in Mishima Yukio's theatrical works (Japan).
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Books made men: Early modern drama and the fictions of intellectual property (William Shakespeare, Christopher Marlowe, Robert Greene).
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It's a serious business: The linguistic construction of middle-class white characters by African American narrative comedians (Richard Pryor, Adele Givens, Steve Harvey).
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En-acting "others": Ethnic, gender, and racial performance in works by Eleanor Antin, Adrian Piper, and Anna Deavere Smith.
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Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
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Faith, embodiment, and "turning Turk": Islamic conversion on the early modern stage and the production of religious and racial identity.
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Finite jest: Performance, authorship and the assimilations of the stage clown in early modern English theater, 1588--1673.
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Before paideia: Representations of education in Aeschylean tragedy (Greece).
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Imagining the book in early modern England: The romance of reading in the age of print (Edmund Spenser, Christopher Marlowe, William Shakespeare, Miguel de Cervantes Saavedra, Spain, Mary, Lady Wroth).
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The metropolis of popery: Writing of Rome in the English Renaissance (Italy).
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Gift/economy: Drama and the politics of gift-giving in early modern England.
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"Incestuous sheets" and "adulterate beasts": Incest and miscegenation in early modern drama.
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Shakespearean neuroplayreinvigorating the study of dramatic texts and performance through cognitive science /
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Performing bodies in painmedieval and post-modern martyrs, mystics, and artists /
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Performance and technologypractices of virtual embodiment and interactivity /
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The Group Theatrepassion, politics, and performance in the Depression Era /
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Theatre, performance and analogue technology :historical interfaces and intermedialities /
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Politics and theatre in twentieth-century Europe :imagination and resistance /
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Speculative nostalgia and its role in Shakespeare and Renaissance literature.
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Reframing immersive theatrethe politics and pragmatics of participatory performance /
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Transmedia knowledge for liberal arts and community engagementa StudioLab manifesto /
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Uplifting Her Voice: Reimagining Lavinia from Shakespeare’s Titus Andronicus.
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