Art History.
Overview
| Works: | 98 works in 37 publications in 37 languages | |
|---|---|---|
Titles
Site specificity and the problematics of public art :Recent transformations at the intersection of art and architecture.
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Natural light as religious symbol in selected European and American religious buildings.
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Space between disciplines, 1967 :Identifying architecture in modernist and literalist criticism.
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Spaces of representation/representations of space. Discourses of architecture, urbanism and the built environment, 1960-1995.
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Monuments of rural archaeology :Medieval settlements in the northwestern Peloponnese (Greece).
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The impact of luxury :The Forum of Meninx. An architectural investigation (Jerba).
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Between humanism and the Counter-Reformation :Villa and villeggiatura in Renaissance Ragusa (Croatia, Lodovico Beccadelli, Nicolo Vito Di Gozze).
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The city rehearsed :Architecture, rhetoric, and print in the arts of Hans Vredeman de Vries (1526--1609)
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Kongo machinery :Graphic writing and other narratives of the sign (Angola, Congo, Cuba)
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The aesthetics of mass-persuasion :War and architectural sites in Tokyo, 1868--1945 (Japan)
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Reading in four dimensions: The poetics of the contemporary experimental book (Ann Hamilton, Tom Phillips, Susan Barron, Ian Hamilton Finlay, Roni Horn).
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Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).
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Imaginary figures of death and life in the architecture of Grandjean de Montigny (Auguste Henri Victor Grandjean de Montigny, France, Brazil).
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Spatial narratives, commemorative practices and the building project: New urban foundations in Upper Syro-Mesopotamia during the Early Iron Age.
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Attic votive plaques: A study on their iconography and function (Greece).
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En-acting "others": Ethnic, gender, and racial performance in works by Eleanor Antin, Adrian Piper, and Anna Deavere Smith.
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"The Mock One Hundred Poets" in word and image: Parody, satire, and mitate in seventeenth-century comic poetry (kyoka) (Japan, Fujiwara Sadaie).
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New York and European Dada art journals, 1916--1926: International venues of exchange.
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Galahad in the Gilded Age: Edwin Austin Abbey's "The Quest of the Holy Grail" and the campaign for civic virtue.
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Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala).
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Beyond mimesis in Greek religious art: Aniconism in the Archaic and Classical periods.
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Viziers to eunuchs: Transitions in Ottoman manuscript patronage, 1566--1617.
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The maiden of the straits: Scylla in the cultural poetics of Greece and Rome.
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Hedgewhores, wagtails, cockatrices, whipsters: John Singer Sargent and his coterie of nature's artful dodgers.
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Legend and architecture in the Ottoman Empire: The shrines of Seyyid Gazi and Haci Bektas (Turkey).
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Fin de siecle snapshots: National fictions, landscapes and multitudes (Spanish text, Argentina, Mexico).
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Aurea condet saecula (per arva Saturno quondam). Imperial Habsburg Medals from the coronation of Frederick III (1452) until the succession of Maximilian I (1494): Art and legitimacy between feudalism and absolutism.
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David's "fruytfull saynges": The Penitential Psalms in late-medieval and early-modern England.
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The Prophet Muh&dotbelow;ammad's ascension (mi`raj) in Islamic art and literature, ca. 1300--1600.
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'Strangely entangled': Alternative antiquities in Renaissance English poetry (George Puttenham, William Shakespeare, John Donne).
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Figure, symbol, and sign: Semiotics and function of Early Dynastic I cylinder seal imagery from Ur (Mesopotamia).
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Central Asia in the context of the Achaemenid Persian Empire (6th to 4th centuries B.C.).
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The future of the American race: Reproducing the racialized nation in print media, 1925--1940 (James Van Der Zee, Gerald Brockhurst, Frank J. Van Sloun, Ernest Crichlow).
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Philos and polities: The symposion and the origins of the polis (Greece).
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"Behold, it is I": A theological interpretation of F. Holland Day's photographic representations of persons of African descent.
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Style in motion: A dialogue between art history and literature, 1890--1935 (Germany).
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The Atik Valide Mosque Complex: A testament of Nurbanu's prestige, power and piety (Turkey).
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The construction of Ottoman Aleppo: Modes and meanings of urban (re-)organization (Syria).
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"Ogni segno e pittura": Carlo Levi's visual poetics (Italy, Francesco Rosi).
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Hagios Ioannis Prodromos Monastery on Mount Menoikeion: Byzantine monastic practice, sacred topography, and architecture (Greece).
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Pop Art at the 1964/65 New York World's Fair (Philip Johnson, Andy Warhol, Roy Lichtenstein, James Rosenquist, Robert Indiana).
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Intersections of architecture, photography, and personhood: Case studies in Mexican modernity (Juan O'Gorman, Diego Rivera, Frida Kahlo, Guillermo Kahlo, Esther Born).
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The federally funded American dream: Public housing as an engine for social improvement, 1933--1937.
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Christians of the Western Desert in late antiquity: The fourth-century church complex of Ain el-Gedida, Upper Egypt.
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The space of production: Brooklyn and the creation of an urban industrial landscape.
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Revolutions in parallel: The rise and fall of drawing in architectural design.
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Exchange of forces: Environmental definition of materials in the works of Vitruvius, Alberti, Le Corbusier, and Peter Zumthor.
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Investigating art, history, and literature with astronomydetermining time, place, and other hidden details linked to the stars /
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Saints and sinners in the skyastronomy, religion and art in western culture /
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The history and life stories of European women in the artsfrom the Middle Ages to the present /
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Marjorie Barstow and the Alexander Techniquecritical thinking in performing arts pedagogy /
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Showing timecontinuous pictorial narrative and the Adam and Eve story : in memory of Alberto Argenton /
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Teaching South and Southeast Asian artmultiethnicity, cross-racial interaction, and nationalism /
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ReEnvisioning the material pasthow to educate and engage modern students using visual culture /
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Female cultural production in modern Italyliterature, art and intellectual history /
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Art, science, and diplomacya study of the visual images of the Macartney Embassy to China, 1793 /
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A regulatory framework for the art market?authenticity, forgeries and the role of art experts /
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Art discovery and censorship in the Centre William Rappard of Genevabuilding the future /
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John ruskin, the Pre-Raphaelites, and religious imaginationsacre conversazioni /
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Imperial museum dynasties in EuropePapal ethnographic collections and material culture /
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China's art market since 1978regional entrepreneurship and global impact /
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The reception of ancient Egypt in Venice, 1400-1800travelers, adventurers, and collectors /
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Retrospection and revision in modern and contemporary art, literature and music
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The (im)possibility of art archivestheories and experience in/from Asia /
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Archaeological ambassadorsa history of archaeological gifts in New York City /
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A biography of our Sunfrom ancient myths and artifacts to modern art and astrophysics /
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