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Art and the conventual life in Renai...

Princeton University.

Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).
作者:	Toffolo, Francesca.
面頁冊數:	373 p.
附註:	Adviser: Patricia Fortini Brown.
附註:	Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0007.
Contained By:	Dissertation Abstracts International66-01A.
標題:	Art History.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3162772
ISBN:	0496965271

Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).
Toffolo, Francesca.

Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy). - 373 p.

Adviser: Patricia Fortini Brown.

Thesis (Ph.D.)--Princeton University, 2005.

Santa Caterina de' Sacchi is a little known church in the northern fringes of Venice closed to the public, stripped of its decoration, and neglected by scholars. Little suggests that it was once part of an old and prestigious Augustinian convent or that it featured an interior lavishly decorated by some of the most prominent artists of the day, including Jacopo Pahna il Giovane, Jacopo Tintoretto and Paolo Veronese who, for its high altar, created what was to become one of the most celebrated masterpieces of Venetian painting: the Mystical Marriage of St. Catherine of Alexandria.

ISBN: 0496965271Subjects--Topical Terms:

212490
Art History.

Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).
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245 1 0 $a Art and the conventual life in Renaissance Venice: The Monastery Church of Santa Caterina de' Sacchi (Italy).
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502 $a Thesis (Ph.D.)--Princeton University, 2005.
520 # $a Santa Caterina de' Sacchi is a little known church in the northern fringes of Venice closed to the public, stripped of its decoration, and neglected by scholars. Little suggests that it was once part of an old and prestigious Augustinian convent or that it featured an interior lavishly decorated by some of the most prominent artists of the day, including Jacopo Pahna il Giovane, Jacopo Tintoretto and Paolo Veronese who, for its high altar, created what was to become one of the most celebrated masterpieces of Venetian painting: the Mystical Marriage of St. Catherine of Alexandria.
520 # $a The aim of this dissertation is the resurrection of an important and long forgotten Venetian monument and of the female institution that stood behind its creation.
520 # $a The disregard for the decorative ensemble, the absolute focus on a single painting and, above all, the utter neglect for the institution behind them, has long delayed an accurate evaluation of the social, cultural and artistic importance of the church of Santa Caterina within the context of Renaissance Venice and Venetian art. Its treasures---including Veronese's masterpiece---can not be understood in isolation from the monastic culture that produced them. This dissertation thus aims at reconstructing both the visual and social reality of the church and its treasures during the Renaissance, while investigating the nuns' impact on the visual arts as a group with a distinct identity.
520 # $a When the church was closed to the public at the beginning of the 20 th century, and Veronese's altarpiece was transferred to the Accademia Galleries, the church of Santa Caterina and the rest of its remarkable decoration fell virtually into oblivion while Veronese's work came to be considered in isolation, entirely detached from its original context.
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