語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Sight/nonsite: Robert Smithson's dia...
~
Evans, Carlton M.
Sight/nonsite: Robert Smithson's dialectics of vision.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Sight/nonsite: Robert Smithson's dialectics of vision.
作者:
Evans, Carlton M.
面頁冊數:
267 p.
附註:
Adviser: Scott Bukatman.
附註:
Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0005.
Contained By:
Dissertation Abstracts International66-01A.
標題:
Art History.
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3162339
ISBN:
9780496962266
Sight/nonsite: Robert Smithson's dialectics of vision.
Evans, Carlton M.
Sight/nonsite: Robert Smithson's dialectics of vision.
- 267 p.
Adviser: Scott Bukatman.
Thesis (Ph.D.)--Stanford University, 2005.
This dissertation traces a preoccupation with contemporary models of visual perception in the work of American earthworks, installation, and conceptual artist Robert Smithson, beginning with his earliest paintings of the late 1950s to the earthworks and films that he completed in the years immediately before his accidental death in 1973. It demonstrates that Smithson's work adopts, mobilizes, and criticizes a range of related visual models emanating from disciplines as varied as art history and criticism, perceptual psychology, optics, psychoanalysis, architecture, media studies, and film theory. This project attempts to uncover these models and the polemics that attend them at the historical moment in which they arose culturally and in Smithson's oeuvre. As it does so, it describes a central shift in Smithson's work as his artistic practice begins to reveal an ambivalence toward the burgeoning information society, and examines the status of visuality within this vast historical transformation. While resisting the temptation to either blindly celebrate or denounce the transformation of the world into an array of information, Smithson seems to struggle to come to terms with this situation. The impact of single works simultaneously appears to hinge upon their dissemination in and as popular media, and as objects of a resolute phenomenology, to be experienced in the here and now.
ISBN: 9780496962266Subjects--Topical Terms:
212490
Art History.
Sight/nonsite: Robert Smithson's dialectics of vision.
LDR
:02309nmm _2200253 _450
001
170591
005
20061228142153.5
008
090528s2005 eng d
020
$a
9780496962266
035
$a
00242621
040
$a
UnM
$c
UnM
100
0
$a
Evans, Carlton M.
$3
244618
245
1 0
$a
Sight/nonsite: Robert Smithson's dialectics of vision.
300
$a
267 p.
500
$a
Adviser: Scott Bukatman.
500
$a
Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0005.
502
$a
Thesis (Ph.D.)--Stanford University, 2005.
520
#
$a
This dissertation traces a preoccupation with contemporary models of visual perception in the work of American earthworks, installation, and conceptual artist Robert Smithson, beginning with his earliest paintings of the late 1950s to the earthworks and films that he completed in the years immediately before his accidental death in 1973. It demonstrates that Smithson's work adopts, mobilizes, and criticizes a range of related visual models emanating from disciplines as varied as art history and criticism, perceptual psychology, optics, psychoanalysis, architecture, media studies, and film theory. This project attempts to uncover these models and the polemics that attend them at the historical moment in which they arose culturally and in Smithson's oeuvre. As it does so, it describes a central shift in Smithson's work as his artistic practice begins to reveal an ambivalence toward the burgeoning information society, and examines the status of visuality within this vast historical transformation. While resisting the temptation to either blindly celebrate or denounce the transformation of the world into an array of information, Smithson seems to struggle to come to terms with this situation. The impact of single works simultaneously appears to hinge upon their dissemination in and as popular media, and as objects of a resolute phenomenology, to be experienced in the here and now.
590
$a
School code: 0212.
650
# 0
$a
Art History.
$3
212490
690
$a
0377
710
0 #
$a
Stanford University.
$3
212607
773
0 #
$g
66-01A.
$t
Dissertation Abstracts International
790
$a
0212
790
1 0
$a
Bukatman, Scott,
$e
advisor
791
$a
Ph.D.
792
$a
2005
856
4 0
$u
http://libsw.nuk.edu.tw:81/login?url=http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3162339
$z
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3162339
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000002389
電子館藏
1圖書
學位論文
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
http://libsw.nuk.edu.tw:81/login?url=http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3162339
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入