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Allegories of power: Imperial crisi...

Carreno-Rodriguez, Antonio.

Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
Author:	Carreno-Rodriguez, Antonio.
Description:	312 p.
Notes:	Director: Roberto Gonzalez Echevarria.
Notes:	Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1017.
Contained By:	Dissertation Abstracts International66-03A.
Subject:	Literature, Romance.
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3168866
ISBN:	9780542048043

Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
Carreno-Rodriguez, Antonio.

Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text). - 312 p.

Director: Roberto Gonzalez Echevarria.

Thesis (Ph.D.)--Yale University, 2005.

This dissertation examines the dramatic works of Lope de Vega, Tirso de Molina, Calderon de la Barca and other Spanish playwrights against the backdrop of Spain's political and social instability in the first half of the seventeenth-century. Contrary to the socio-critical interpretations of Jose Antonio Maravall and Jose Maria Diez Borque, which reduced the comedia to an instrument of monarchical propaganda, I argue that many plays during this period function as veiled, metaphorical critiques of the reigns of Philip III and Philip IV. The dramatic medium thus allowed these playwrights to safely join the chorus of voices advocating the need for imperial reform.

ISBN: 9780542048043Subjects--Topical Terms:

212836
Literature, Romance.

Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
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245 1 0 $a Allegories of power: Imperial crisis and the comedia nueva (1598--1659) (Spanish text).
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500 $a Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1017.
502 $a Thesis (Ph.D.)--Yale University, 2005.
520 # $a This dissertation examines the dramatic works of Lope de Vega, Tirso de Molina, Calderon de la Barca and other Spanish playwrights against the backdrop of Spain's political and social instability in the first half of the seventeenth-century. Contrary to the socio-critical interpretations of Jose Antonio Maravall and Jose Maria Diez Borque, which reduced the comedia to an instrument of monarchical propaganda, I argue that many plays during this period function as veiled, metaphorical critiques of the reigns of Philip III and Philip IV. The dramatic medium thus allowed these playwrights to safely join the chorus of voices advocating the need for imperial reform.
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