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Cinema, philosophy, Bergmanon film a...

Bergman, Ingmar, (1918-2007)

Cinema, philosophy, Bergmanon film as philosophy /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cinema, philosophy, BergmanPaisley Livingston.
Reminder of title:	on film as philosophy /
Author:	Livingston, Paisley,
Published:	Oxford :Oxford University Press,c2009.
Description:	ix, 215 p. :ill. ;22 cm.
Subject:	Motion picturesPhilosophy.
Online resource:	http://dx.doi.org/10.1093/acprof:oso/9780199570171.001.0001
ISBN:	9780199570171

Cinema, philosophy, Bergmanon film as philosophy /
Livingston, Paisley,1951-

Cinema, philosophy, Bergmanon film as philosophy /[electronic resource] :Paisley Livingston. - Oxford :Oxford University Press,c2009. - ix, 215 p. :ill. ;22 cm.

Includes bibliographical references and index.

Can cinema be a medium for philosophy? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman's cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.

Electronic reproduction.
Oxford :
Oxford University Press,
2009.

(Oxford Scholarship Online).

Mode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher).

ISBN: 9780199570171 Subjects--Personal Names:

393325
Bergman, Ingmar,
1918-2007--Criticism and interpretation.Subjects--Topical Terms:

181377
Motion pictures
--Philosophy.

LC Class. No.: PN1995

Dewey Class. No.: 791.4301

Cinema, philosophy, Bergmanon film as philosophy /
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100 1 $a Livingston, Paisley, $d 1951- $3 393324
245 1 0 $a Cinema, philosophy, Bergman $h [electronic resource] : $b on film as philosophy / $c Paisley Livingston.
260 $a Oxford : $b Oxford University Press, $c c2009.
300 $a ix, 215 p. : $b ill. ; $c 22 cm.
504 $a Includes bibliographical references and index.
520 8 $a Can cinema be a medium for philosophy? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman's cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.
533 $a Electronic reproduction. $b Oxford : $c Oxford University Press, $d 2009. $f (Oxford Scholarship Online). $n Mode of access: World Wide Web. System requirements: Internet Explorer 6.0 (or higher) or Firefox 2.0 (or higher). $n Available as searchable text in HTML format. $n Access restricted to subscribing institutions.
600 1 0 $a Bergman, Ingmar, $d 1918-2007 $x Criticism and interpretation. $3 393325
650 0 $a Motion pictures $x Philosophy. $3 181377
650 0 $a Philosophy in motion pictures. $3 251758
776 0 8 $i Print version $z 9780199570171
856 4 0 $u http://dx.doi.org/10.1093/acprof:oso/9780199570171.001.0001