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Shakespeare and the power of perform...
~
Bruster, Douglas.
Shakespeare and the power of performance :stage and page in the Elizabethan theatre
Record Type:
Electronic resources : Monograph/item
Title/Author:
Shakespeare and the power of performance :Robert Weimann and Douglas Bruster.
Reminder of title:
stage and page in the Elizabethan theatre
Author:
Weimann, Robert.
other author:
Bruster, Douglas.
Published:
Cambridge, UK ;Cambridge University Press,2008.
Description:
x, 266 p.
Subject:
English dramaHistory and criticism.17th century
Online resource:
Access by subscription
ISBN:
9780521895323 (hbk.)
Shakespeare and the power of performance :stage and page in the Elizabethan theatre
Weimann, Robert.
Shakespeare and the power of performance :
stage and page in the Elizabethan theatre[electronic resource] /Robert Weimann and Douglas Bruster. - Cambridge, UK ;Cambridge University Press,2008. - x, 266 p.
Includes bibliographical references and indexes.
Moralize two meanings in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and worthiness in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : secretly open role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page.
ISBN: 9780521895323 (hbk.)
Nat. Bib. No.: GBA870868bnbSubjects--Personal Names:
392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:
178985
English drama
--History and criticism.--17th centuryIndex Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR2995 / .W45 2008
Dewey Class. No.: 822.33
Shakespeare and the power of performance :stage and page in the Elizabethan theatre
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stage and page in the Elizabethan theatre
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[electronic resource] /
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Robert Weimann and Douglas Bruster.
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Includes bibliographical references and indexes.
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Moralize two meanings in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and worthiness in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : secretly open role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page.
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http://dx.doi.org/10.1017/CBO9780511481437
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Access by subscription
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000000038991
電子館藏
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EB PR2995 .W45 2008
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1 records • Pages 1 •
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http://dx.doi.org/10.1017/CBO9780511481437
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