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British periodicals and Romantic identitythe "literary lower empire" /

Record Type:	Electronic resources : Monograph/item
Title/Author:	British periodicals and Romantic identityMark Schoenfield.
Reminder of title:	the "literary lower empire" /
Author:	Schoenfield, Mark,
Published:	New York :Palgrave Macmillan,2009.
Description:	xvi, 296 p. :ill. ;22 cm.
Subject:	English prose literatureHistory and criticism.19th century
Subject:	Great BritainEconomic policy1979-1997.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230617995

British periodicals and Romantic identitythe "literary lower empire" /
Schoenfield, Mark,1959-

British periodicals and Romantic identitythe "literary lower empire" /[electronic resource] :Mark Schoenfield. - 1st ed. - New York :Palgrave Macmillan,2009. - xvi, 296 p. :ill. ;22 cm. - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references (p. [267]-280) and index.

Part I: Culture wars in the lower empire -- Skirmishes in the lower empire -- Incorporating voices: the Edinburgh review -- Proliferating voices: founding the Quarterly review and Maga -- Part II: Soldiers of fortune in the periodical wars -- Repeating selves: Hume, Hazlitt, and periodical repetition -- Lord Byron among the reviews -- Abraham Goldsmid: financial magician and the public image -- Spying James Hogg's Bristle in Blackwood's magazine.

When Lord Byron identified the periodical industry as the "Literary Lower Empire" he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors ofscientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh,Blackwood's, and the Westminster became the repositories and creators of public opinion. In addition, Schoenfield examines how particular figures, both inside and outsidethe editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image inthe periodicals, to William Hazlitt, equally journalist and subject ofthe reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230617995Subjects--Topical Terms:

215568
English prose literature
--History and criticism.--19th centurySubjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR778.R56 / S36 2009

Dewey Class. No.: 820.9/145

British periodicals and Romantic identitythe "literary lower empire" /
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505 0 $a Part I: Culture wars in the lower empire -- Skirmishes in the lower empire -- Incorporating voices: the Edinburgh review -- Proliferating voices: founding the Quarterly review and Maga -- Part II: Soldiers of fortune in the periodical wars -- Repeating selves: Hume, Hazlitt, and periodical repetition -- Lord Byron among the reviews -- Abraham Goldsmid: financial magician and the public image -- Spying James Hogg's Bristle in Blackwood's magazine.
520 $a When Lord Byron identified the periodical industry as the "Literary Lower Empire" he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors ofscientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh,Blackwood's, and the Westminster became the repositories and creators of public opinion. In addition, Schoenfield examines how particular figures, both inside and outsidethe editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image inthe periodicals, to William Hazlitt, equally journalist and subject ofthe reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.
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