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Performance, ethics and spectatorship in a global age

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performance, ethics and spectatorship in a global ageHelena Grehan.
Author:	Grehan, Helena.
Published:	New York :Palgrave Macmillan,2009.
Description:	1 v.
Subject:	Theater and society.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230234550

Performance, ethics and spectatorship in a global age
Grehan, Helena.

Performance, ethics and spectatorship in a global age[electronic resource] /Helena Grehan. - New York :Palgrave Macmillan,2009. - 1 v. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

1. Situating the Spectator -- 2. Genesi: The Spectator and 'Useless Suffering'? -- 3. The Career Highlights of the MAMU: Alterity and Shame-- 4. Sandakan Threnody: Testimony and the Dangers of Polyphony -- 5. 'The Refugee', Empathy and Participation: Ariane Mnouchkine and Theatredu Soleil's Le Dernier Caravanserail (Odyssees) -- 6. Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature'sLittle Helpers by Patricia Piccinini.

Performance, Ethics and Spectatorship in a Global Age is an innovative book that makes a significant contribution to performance studies scholarship. It undertakes a detailed investigation intothe relationshipbetween ethics and spectatorship in and in response to contemporary performance. Considering spectators both within and beyond the theatre, the text explores the ways in which they are stimulated or provoked by performance to address ethical questions about their roles as spectatorsand as citizens in a fraught media-saturated landscape. Through a detailed engagement with five internationally-acclaimed performances, this book talks about both the emotional and intellectual responses generated by politically-inflected work. It explores the feelings of awe, shock, delight and unsettlement that good performance engenders, and it traces the process spectators go through in makingsense of those emotions through extended ethical reflection.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230234550Subjects--Topical Terms:

289450
Theater and society.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2049 / .G74 2009

Dewey Class. No.: 792.01/3

Performance, ethics and spectatorship in a global age
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020 $a 9780230234550
020 $a 0230234550
035 $a (OCoLC)449909351
035 $a ocn449909351
040 $a UKPGM $b eng $c UKPGM $d YDXCP
049 $a APTA
050 1 4 $a PN2049 $b .G74 2009
082 0 4 $a 792.01/3 $2 22
100 1 $a Grehan, Helena. $3 461508
245 1 0 $a Performance, ethics and spectatorship in a global age $h [electronic resource] / $c Helena Grehan.
260 $a New York : $b Palgrave Macmillan, $c 2009.
300 $a 1 v.
490 1 $a Studies in international performance
504 $a Includes bibliographical references and index.
505 0 $a 1. Situating the Spectator -- 2. Genesi: The Spectator and 'Useless Suffering'? -- 3. The Career Highlights of the MAMU: Alterity and Shame-- 4. Sandakan Threnody: Testimony and the Dangers of Polyphony -- 5. 'The Refugee', Empathy and Participation: Ariane Mnouchkine and Theatredu Soleil's Le Dernier Caravanserail (Odyssees) -- 6. Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature'sLittle Helpers by Patricia Piccinini.
520 $a Performance, Ethics and Spectatorship in a Global Age is an innovative book that makes a significant contribution to performance studies scholarship. It undertakes a detailed investigation intothe relationshipbetween ethics and spectatorship in and in response to contemporary performance. Considering spectators both within and beyond the theatre, the text explores the ways in which they are stimulated or provoked by performance to address ethical questions about their roles as spectatorsand as citizens in a fraught media-saturated landscape. Through a detailed engagement with five internationally-acclaimed performances, this book talks about both the emotional and intellectual responses generated by politically-inflected work. It explores the feelings of awe, shock, delight and unsettlement that good performance engenders, and it traces the process spectators go through in makingsense of those emotions through extended ethical reflection.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Theater and society. $3 289450
650 0 $a Theater $x Philosophy. $3 221873
650 0 $a Theater audiences. $3 288337
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 9780230518018 $z 023051801X $w (DLC) 2008050869 $w (OCoLC)319659790
830 0 $a Studies in international performance. $3 461509
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230234550 $z access to fulltext (Palgrave)