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Theatre, facilitation, and nation formation in the Balkans and Middle East

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatre, facilitation, and nation formation in the Balkans and Middle Eastby Sonja Arsham Kuftinec.
Author:	Kuftinec, Sonja,
Published:	Basingstoke :Palgrave Macmillan,2009.
Description:	xviii, 217 p. :ill., maps ;23 cm.
Subject:	War and theater.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230239449

Theatre, facilitation, and nation formation in the Balkans and Middle East
Kuftinec, Sonja,1966-

Theatre, facilitation, and nation formation in the Balkans and Middle East[electronic resource] /by Sonja Arsham Kuftinec. - Basingstoke :Palgrave Macmillan,2009. - xviii, 217 p. :ill., maps ;23 cm. - Studies in international performance. - Studies in international performance..

Includes bibliographical references and index.

Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.

How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230239449Subjects--Topical Terms:

461516
War and theater.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2821 / .K84 2009

Dewey Class. No.: 792.09496

Theatre, facilitation, and nation formation in the Balkans and Middle East
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040 $a UKPGM $b eng $c UKPGM $d EBLCP $d YDXCP
049 $a APTA
050 1 4 $a PN2821 $b .K84 2009
082 0 4 $a 792.09496 $2 22
100 1 $a Kuftinec, Sonja, $d 1966- $3 461545
245 1 0 $a Theatre, facilitation, and nation formation in the Balkans and Middle East $h [electronic resource] / $c by Sonja Arsham Kuftinec.
260 $a Basingstoke : $b Palgrave Macmillan, $c 2009.
300 $a xviii, 217 p. : $b ill., maps ; $c 23 cm.
490 1 $a Studies in international performance
504 $a Includes bibliographical references and index.
505 0 $a Contours and Contestations -- Balkan Bridges: Re-membering Mostar (1995-2000) -- Between the Lines: Staging 'the Balkans' through Berlin (2001) -- Border Zones: Theatrical Mobilizations of 'theMiddle East' (2004-08) -- Facilitation Praxis: Four Modes of Encounter.
520 $a How might theatre intervene in violent inter-ethnic conflicts? When does participatory theatre mediate more just futures, and when might itpreserve inequities? Theatre, Facilitation and Nation Formation addresses these questions through detailed case studies of community-based projects in theBalkans and Middle East that the author has witnessed or helped to create. In Mostar, collaborativeperformance helps youth re-member a divided city. In Berlin, participants from seven Balkan countries reorient understandings of citizenship through an interactive installation. In Israel and the Occupied Palestinian Territories, image theatre animates the limits of reconciliation. These theatricalfacilitations model ways that ethnic oppositions can move towards ethical relationships, while pointing out challenges in doing so. As a travelogue, this study weaves critical analysis with the voices of participants, directors, and workshop leaders, offering viewpoints and field notes on how theatrical facilitation can (and can't) effectively transform conflicts.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a War and theater. $3 461516
650 0 $a Theater $x Political aspects $z Middle East. $3 461546
650 0 $a Theater $x Political aspects $z Balkan Peninsula. $3 461547
650 0 $a Theater and society $z Balkan Peninsula. $3 461548
650 0 $a Theater and society $z Middle East. $3 461549
650 0 $a Theater in community development $z Middle East. $3 461550
650 0 $a Theater in community development $z Balkan Peninsula. $3 461551
650 0 $a Nation-building $z Middle East. $3 461552
650 0 $a Nation-building $z Balkan Peninsula. $3 461553
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 9780230005396 $z 023000539X $w (OCoLC)318670602
830 0 $a Studies in international performance. $3 461509
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230239449 $z access to fulltext (Palgrave)