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The homosexual revival of Renaissanc...

Ivory, Yvonne, (1967-)

The homosexual revival of Renaissance style, 1850-1930

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The homosexual revival of Renaissance style, 1850-1930Yvonne Ivory.
作者:	Ivory, Yvonne,
出版者:	Basingstoke [England] ;Palgrave Macmillan,2009.
面頁冊數:	ix, 240 p. ;23 cm.
標題:	Homosexuality and literatureHistory19th century.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230242432

The homosexual revival of Renaissance style, 1850-1930
Ivory, Yvonne,1967-

The homosexual revival of Renaissance style, 1850-1930[electronic resource] /Yvonne Ivory. - Basingstoke [England] ;Palgrave Macmillan,2009. - ix, 240 p. ;23 cm. - Palgrave studies in nineteenth-century writing and culture. - Palgrave studies in nineteenth-century writing and culture..

Includes bibliographical references (p. 213-227) and index.

Consummate Criminals: Nineteenth-Century Renaissance Historiography and the Homosexual -- Individualist Inverts: Self-Realization as a Liberatory Sexual Discourse at the Turn of the Century -- Poison, Passion, and Personality: Oscar Wilde's Renaissance Self-Fashioning -- The Erotics of Fame; or, How Thomas Mann Conquered the Renaissance -- Orlando Emergent: Vita Sackville-West's RenaissancePersonae.

Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? What drew John Addington Symonds, Vernon Lee, and Walter Pater to write socio-cultural studies of the era? Or Thomas Mann, Oscar Wilde, Vernon Lee, Vita Sackville-West, and Louis Couperus' to name but a few b7 sto set novels and plays in Renaissance Italy? That question is at the heart of this volume, which begins by showing that the Renaissance (as depicted by German and British intellectuals from 1850 onward) was an era whose hallmarks were beauty, self-expression, criminality, and sexual dissidence. As new laws and sciences emerged that banned or pathologized relations between members of the same sex, this imagined Renaissance which married beautiful bodies to criminalityand expansive self-fashioning provided models of same-sex love that went beyond the prevailing paradigm of etherealand pedagogical Greek Love. The first study to address the close ties between the anarchist-individualist and gay rights movements in 1890s Germany, The Homosexual Revival of Renaissance Style suggests, too, that if we are to begin to mapout the genealogy of our own era's consummate type, the impeccably stylish gay man, we might look to the nineteenth-century's peopling of theRenaissance with sexually corrupt 'but aesthetically immaculate' individualists.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230242432Subjects--Personal Names:

326022
Mann, Thomas,
1875-1955Subjects--Topical Terms:

461556
Homosexuality and literature
--History--19th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR468.H65 / I86 2009

Dewey Class. No.: 820.9/352664

The homosexual revival of Renaissance style, 1850-1930
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520 $a Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? What drew John Addington Symonds, Vernon Lee, and Walter Pater to write socio-cultural studies of the era? Or Thomas Mann, Oscar Wilde, Vernon Lee, Vita Sackville-West, and Louis Couperus' to name but a few b7 sto set novels and plays in Renaissance Italy? That question is at the heart of this volume, which begins by showing that the Renaissance (as depicted by German and British intellectuals from 1850 onward) was an era whose hallmarks were beauty, self-expression, criminality, and sexual dissidence. As new laws and sciences emerged that banned or pathologized relations between members of the same sex, this imagined Renaissance which married beautiful bodies to criminalityand expansive self-fashioning provided models of same-sex love that went beyond the prevailing paradigm of etherealand pedagogical Greek Love. The first study to address the close ties between the anarchist-individualist and gay rights movements in 1890s Germany, The Homosexual Revival of Renaissance Style suggests, too, that if we are to begin to mapout the genealogy of our own era's consummate type, the impeccably stylish gay man, we might look to the nineteenth-century's peopling of theRenaissance with sexually corrupt 'but aesthetically immaculate' individualists.
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