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The renaissance, English cultural nationalism, and modernism, 1860-1920

Record Type:	Electronic resources : Monograph/item
Title/Author:	The renaissance, English cultural nationalism, and modernism, 1860-1920Lynne Walhout Hinojosa.
Author:	Hinojosa, Lynne J. Walhout.
Published:	New York, NY :Palgrave Macmillan,2009.
Description:	x, 246 p. ;22 cm.
Subject:	English literatureHistory and criticism.19th century
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230620995

The renaissance, English cultural nationalism, and modernism, 1860-1920
Hinojosa, Lynne J. Walhout.

The renaissance, English cultural nationalism, and modernism, 1860-1920[electronic resource] /Lynne Walhout Hinojosa. - New York, NY :Palgrave Macmillan,2009. - x, 246 p. ;22 cm.

Includes bibliographical references (p. [229]-241) and index.

PART I: Classical Cultural History-Writing in England. Historical and Contemporary Contexts ;The Emergence of the Renaissance Concept in Europe: The Fifteenth through the Mid-Nineteenth Century ; Classical Cultural History and the Periodization of the Renaissance: Ruskin and Burckhardt ; Renaissancism in England: Arnold, Symonds, Pater -- PART II: Renaissance Old Masters and Modernist ArtHistory-Writing. The Connoisseur and the Spiritual History of Art: Morelli and Berenson ; The Modernist Rejection of the Renaissance: Fry, Bell, Hulme -- PART III: Shakespeare and National Cultural History-Writing. National Cultural History in Public Spaces: The Theater, the Press, the Great War ; The Writing ofEnglish Literary History -- PART IV: The Modern Artist . The Modern Artist as Historian, Courtier, and Saint: Pound, Burckhardt Vasari.

This valuable study offers new insights and contextualization regarding the relation of nationalism to modernism. Hinojosa shows how many writers and critics in the late nineteenth and early twentieth centuries, using Renaissance historiography as a model, produced cultural, art, and literaryhistory to promote two often-competing goals: national culture and modernist culture. Reading authors such as Ruskin, Symonds, Arnold, Pater, Fry, Berenson, Hulme, Pound, and Saintsbury alongside relevant archival and periodical literature, Hinojosa reveals the structures of modernist historiography, high and low culture, and historical periodization. This book should interest literary and art historians in modernist, Victorian, Shakespeare, and Renaissance studies, as well as scholars of cultural studies and cultural history.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230620995Subjects--Topical Terms:

177016
English literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR468.R46 / H56 2009

Dewey Class. No.: 820.9003

The renaissance, English cultural nationalism, and modernism, 1860-1920
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245 1 4 $a The renaissance, English cultural nationalism, and modernism, 1860-1920 $h [electronic resource] / $c Lynne Walhout Hinojosa.
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504 $a Includes bibliographical references (p. [229]-241) and index.
505 0 $a PART I: Classical Cultural History-Writing in England. Historical and Contemporary Contexts ;The Emergence of the Renaissance Concept in Europe: The Fifteenth through the Mid-Nineteenth Century ; Classical Cultural History and the Periodization of the Renaissance: Ruskin and Burckhardt ; Renaissancism in England: Arnold, Symonds, Pater -- PART II: Renaissance Old Masters and Modernist ArtHistory-Writing. The Connoisseur and the Spiritual History of Art: Morelli and Berenson ; The Modernist Rejection of the Renaissance: Fry, Bell, Hulme -- PART III: Shakespeare and National Cultural History-Writing. National Cultural History in Public Spaces: The Theater, the Press, the Great War ; The Writing ofEnglish Literary History -- PART IV: The Modern Artist . The Modern Artist as Historian, Courtier, and Saint: Pound, Burckhardt Vasari.
520 $a This valuable study offers new insights and contextualization regarding the relation of nationalism to modernism. Hinojosa shows how many writers and critics in the late nineteenth and early twentieth centuries, using Renaissance historiography as a model, produced cultural, art, and literaryhistory to promote two often-competing goals: national culture and modernist culture. Reading authors such as Ruskin, Symonds, Arnold, Pater, Fry, Berenson, Hulme, Pound, and Saintsbury alongside relevant archival and periodical literature, Hinojosa reveals the structures of modernist historiography, high and low culture, and historical periodization. This book should interest literary and art historians in modernist, Victorian, Shakespeare, and Renaissance studies, as well as scholars of cultural studies and cultural history.
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