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Dance, space, and subjectivity

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dance, space, and subjectivityValerie Briginshaw.
Author:	Briginshaw, Valerie A.
Published:	New York :Palgrave,2001.
Description:	xviii, 234 p., [8] p. of plates :ill., ports. ;23 cm.
Subject:	DanceAnecdotes.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230272354

Dance, space, and subjectivity
Briginshaw, Valerie A.

Dance, space, and subjectivity[electronic resource] /Valerie Briginshaw. - New York :Palgrave,2001. - xviii, 234 p., [8] p. of plates :ill., ports. ;23 cm.

Includes bibliographical references (p. 213-221) and index.

PART I: CONSTRUCTIONS OF SPACE AND SUBJECTIVITY -- Travel Metaphors in Dance: Gendered Constructions of Travel, Spaces and Subjects -- Transforming City Spaces and Subjects -- Coastal Constructions in Lea Anderson's Out on the Windy Beach -- PART II: DANCING IN THE 'IN-BETWEEN SPACES' -- Desire Spatialized Differently in Dances that can be Read as Lesbian -- Hybridity and Nomadic Subjectivity in Shobana Jeyasingh's Duets with Automobiles -- Crossing the (Black) Atlantic: Spatial and Temporal Displacements in Meredith Monk's Ellis Island and Jonzi Di's Aeroplane Man -- PART III: INSIDE/OUTSIDE BODIES AND SPACES -- Fleshy Corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith -- Carnivalesque Subversions in Liz Aggiss's Grotesque Dancer, Mark Morris's Dogtown and Emilyn Claid's Across Your Heart -- Architectural Spaces in the Choreography of William Forsythe and De Keersmaeker's Rosas Danst Rosas.

The roles dance and space play in constructing subjectivity are explored here in close readings of American, British and European contemporary dances. Informed by ideas from contemporary critical theories, the book (now available in paperback)&

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230272354

Standard No.: 10.1057/9780230272354doiSubjects--Topical Terms:

443896
Dance
--Anecdotes.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: GV1594 / .B75 2001

Dewey Class. No.: 792.8

Dance, space, and subjectivity
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040 $a UKPGM $b eng $c UKPGM
049 $a APTA
050 1 4 $a GV1594 $b .B75 2001
082 0 4 $a 792.8 $2 22
100 1 $a Briginshaw, Valerie A. $3 463028
245 1 0 $a Dance, space, and subjectivity $h [electronic resource] / $c Valerie Briginshaw.
260 $a New York : $b Palgrave, $c 2001.
300 $a xviii, 234 p., [8] p. of plates : $b ill., ports. ; $c 23 cm.
504 $a Includes bibliographical references (p. 213-221) and index.
505 0 $a PART I: CONSTRUCTIONS OF SPACE AND SUBJECTIVITY -- Travel Metaphors in Dance: Gendered Constructions of Travel, Spaces and Subjects -- Transforming City Spaces and Subjects -- Coastal Constructions in Lea Anderson's Out on the Windy Beach -- PART II: DANCING IN THE 'IN-BETWEEN SPACES' -- Desire Spatialized Differently in Dances that can be Read as Lesbian -- Hybridity and Nomadic Subjectivity in Shobana Jeyasingh's Duets with Automobiles -- Crossing the (Black) Atlantic: Spatial and Temporal Displacements in Meredith Monk's Ellis Island and Jonzi Di's Aeroplane Man -- PART III: INSIDE/OUTSIDE BODIES AND SPACES -- Fleshy Corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith -- Carnivalesque Subversions in Liz Aggiss's Grotesque Dancer, Mark Morris's Dogtown and Emilyn Claid's Across Your Heart -- Architectural Spaces in the Choreography of William Forsythe and De Keersmaeker's Rosas Danst Rosas.
520 $a The roles dance and space play in constructing subjectivity are explored here in close readings of American, British and European contemporary dances. Informed by ideas from contemporary critical theories, the book (now available in paperback)& $1 60;investigates site-specific dance, the mutualconstruction of bodies and spaces, body-space interfaces and 'in-between spaces'. Alternative subjectivities are suggested by reading the dances and dance films against the grain to reveal their potential for troubling conventional notions of subjectivity associated witha white, Western, heterosexual, able-bodied, male norm. The works of choreographers such as Lea Anderson, Pina Bausch, Trisha Brown, Anne Teresa De Keersmaeker, William Forsythe, Shobana Jeyasingh and Mark Morrisare explored alongside the theories of writers such as Mikhail Bakhtin, Gilles Deleuze, Michel Foucault, Donna Haraway, Julia Kristeva and Henri Lefebvre. The result is a fascinating mix of ideas and practice never before placed together within the context of dance studies.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Apr. 12, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Dance $v Anecdotes. $3 443896
650 0 $a Postmodernism. $3 176632
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 0333919734 $z 9780333919736 $w (DLC) 2001021214 $w (OCoLC)269442633
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230272354 $z access to fulltext (Palgrave)