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Filming Shakespeare in the global marketplace
Record Type:
Electronic resources : Monograph/item
Title/Author:
Filming Shakespeare in the global marketplaceMark Thornton Burnett.
Author:
Burnett, Mark Thornton.
Published:
Basingstoke [England] ;Palgrave Macmillan,2007.
Description:
xi, 227 p. :ill.
Series:
Palgrave Shakespeare studies
Subject:
English dramaFilm and video adaptations.
Online resource:
access to fulltext (Palgrave)
ISBN:
9780230800809
Filming Shakespeare in the global marketplace
Burnett, Mark Thornton.
Filming Shakespeare in the global marketplace
[electronic resource]/Mark Thornton Burnett. - Basingstoke [England] ;Palgrave Macmillan,2007. - xi, 227 p. :ill. - Palgrave Shakespeare studies.
Includes bibliographical references (p. 193-212) and index.
Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230800809
Standard No.: 10.1057/9780230800809doiSubjects--Personal Names:
392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:
436535
English drama
--Film and video adaptations.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR3093 / .B87 2007eb
Dewey Class. No.: 791.43/6
Filming Shakespeare in the global marketplace
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2007.
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xi, 227 p. :
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ill.
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Includes bibliographical references (p. 193-212) and index.
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Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
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This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.
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2009.
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Mode of access:World Wide Web.
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System requirements: Web browser.
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Title from title screen (viewed on Mar. 3, 2009).
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Access may berestricted to users at subscribing institutions.
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Shakespeare, William,
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English drama
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https://link.springer.com/book/10.1057/9780230800809
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access to fulltext (Palgrave)
based on 0 review(s)
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電子館藏
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000000043689
電子館藏
1圖書
電子書
EB PR3093 .B87 2007eb 2007
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1 records • Pages 1 •
1
Multimedia
Multimedia file
https://link.springer.com/book/10.1057/9780230800809
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