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Metafiction and metahistory in contemporary women's writing

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Metafiction and metahistory in contemporary women's writingedited by Ann Heilmann and Mark Llewellyn.
其他作者:	Heilmann, Ann.
出版者:	Basingstoke [England] ;Palgrave,2007.
面頁冊數:	xi, 222 p.
附註:	Includes index.
標題:	English fictionHistory and criticism20th century
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230206281

Metafiction and metahistory in contemporary women's writing
Metafiction and metahistory in contemporary women's writing[electronic resource] /edited by Ann Heilmann and Mark Llewellyn. - Basingstoke [England] ;Palgrave,2007. - xi, 222 p.

Includes index.

Introduction: Metafiction and Metahistory in Contemporary Women's Writing / A.Heilmann & M.Llewellyn -- PART ONE: TOWARDS A RECONCEPTUALIZATION OF HISTORY AND IDENTITY -- The Witch, The Puritanand the Prophet:Historical Novels and Seventeenth-Century History / Katharine Hodgkin -- History asStory in Angela Carter's American Ghosts and Old World Wonders / Sarah Gamble -- Falling off the Edgeof the World: History and Gender in Daphne Marlatt's Ana Historic / Sherry Booth -- Time, Space and(Her)Story in the Fiction of Eva Figes / Julia Tofantsuk -- From Demidenko to Darville: Behind the Scenes of a Literary Carnival / Rachel Morley -- PART TWO: HISTORIOGRAPHIC RE-VISIONINGS -- Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchill / Christine A.Cèoln -- The Benefits of Watching the Circus Animals Desert: Myth,Yeats, and Patriarchy in Angela Carter's Nightsat the Circus / Michael Sinowitz -- Passion and Possession as Alternatives to 'Cosmic Masculinity' in'Herstorical' Romances / Georges Letissier -- Michele Roberts:Histories and Herstories in In the Red Kitchen, Fair Exchange and The Looking Glass / Sarah Falcus -- PART THREE: GENERIC EXPERIMENTATIONS WITH GENDER AND GENRE -- Rewriting The Rover / Johanna M.Smith -- The Convent Novel and the UsesofHistory / Diana Wallace -- The Revenge of a Stereotype: Re-Writing the History of the Gothic Heroine in Alice Thompson's Justine / Maria Vara -- The Resisting Writer: Revisiting the Canon, Rewriting History in Sena Jeter Naslund's Ahab's Wife, or The Star-Gazer / Jeanette King -- Breaking the Mould? Sarah Waters and the Politics of Genre / Mark Llewellyn.

In recent years, historical fiction, particularly that by women authors, has been at the cutting edge of postmodern reconceptualisations ofthe past and of contemporary worlds. This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, andthe UK, offering new insights into the works of internationally acclaimed as well as popular writers, including Florence Barclay, A. S. Byatt, Angela Carter, Caryl Churchill, Helen Darville, Stevie Davies, Eva Figes, Philippa Gregory, Susan Kenney, Daphne Marlatt, Sena Jeter Naslund, Michele Roberts, Alice Thompson, and Jeannette Winterson. Blurring the dichotomies of the popular and the literary,the fictional and the factual, and covering those narratives that defy categorisation, the essays assembled in this volume offer new approaches to reading contemporary women fiction writers' reconfigurations of history.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230206281

Standard No.: 10.1057/9780230206281doiSubjects--Topical Terms:

191308
English fiction
--History and criticism--20th centuryIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR888.W6 / M35 2007eb

Dewey Class. No.: 823.9/099287

Metafiction and metahistory in contemporary women's writing
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505 0 $a Introduction: Metafiction and Metahistory in Contemporary Women's Writing / A.Heilmann & M.Llewellyn -- PART ONE: TOWARDS A RECONCEPTUALIZATION OF HISTORY AND IDENTITY -- The Witch, The Puritanand the Prophet:Historical Novels and Seventeenth-Century History / Katharine Hodgkin -- History asStory in Angela Carter's American Ghosts and Old World Wonders / Sarah Gamble -- Falling off the Edgeof the World: History and Gender in Daphne Marlatt's Ana Historic / Sherry Booth -- Time, Space and(Her)Story in the Fiction of Eva Figes / Julia Tofantsuk -- From Demidenko to Darville: Behind the Scenes of a Literary Carnival / Rachel Morley -- PART TWO: HISTORIOGRAPHIC RE-VISIONINGS -- Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchill / Christine A.Cèoln -- The Benefits of Watching the Circus Animals Desert: Myth,Yeats, and Patriarchy in Angela Carter's Nightsat the Circus / Michael Sinowitz -- Passion and Possession as Alternatives to 'Cosmic Masculinity' in'Herstorical' Romances / Georges Letissier -- Michele Roberts:Histories and Herstories in In the Red Kitchen, Fair Exchange and The Looking Glass / Sarah Falcus -- PART THREE: GENERIC EXPERIMENTATIONS WITH GENDER AND GENRE -- Rewriting The Rover / Johanna M.Smith -- The Convent Novel and the UsesofHistory / Diana Wallace -- The Revenge of a Stereotype: Re-Writing the History of the Gothic Heroine in Alice Thompson's Justine / Maria Vara -- The Resisting Writer: Revisiting the Canon, Rewriting History in Sena Jeter Naslund's Ahab's Wife, or The Star-Gazer / Jeanette King -- Breaking the Mould? Sarah Waters and the Politics of Genre / Mark Llewellyn.
520 $a In recent years, historical fiction, particularly that by women authors, has been at the cutting edge of postmodern reconceptualisations ofthe past and of contemporary worlds. This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, andthe UK, offering new insights into the works of internationally acclaimed as well as popular writers, including Florence Barclay, A. S. Byatt, Angela Carter, Caryl Churchill, Helen Darville, Stevie Davies, Eva Figes, Philippa Gregory, Susan Kenney, Daphne Marlatt, Sena Jeter Naslund, Michele Roberts, Alice Thompson, and Jeannette Winterson. Blurring the dichotomies of the popular and the literary,the fictional and the factual, and covering those narratives that defy categorisation, the essays assembled in this volume offer new approaches to reading contemporary women fiction writers' reconfigurations of history.
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