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Staging black feminismsidentity, politics, performance /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Staging black feminismsLynette Goddard.
Reminder of title:
identity, politics, performance /
Author:
Goddard, Lynette,
Published:
Basingstoke ;Palgrave Macmillan,2007.
Description:
ix, 229 p.
Series:
Performance interventions
Subject:
Black theaterHistory20th century.Great Britain
Online resource:
access to fulltext (Palgrave)
ISBN:
9780230801448
Staging black feminismsidentity, politics, performance /
Goddard, Lynette,1966-
Staging black feminisms
identity, politics, performance /[electronic resource] :Lynette Goddard. - Basingstoke ;Palgrave Macmillan,2007. - ix, 229 p. - Performance interventions.
Includes bibliographical references (p. 198-220) and index.
PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230801448
Standard No.: 10.1057/9780230801448doiSubjects--Topical Terms:
473783
Black theater
--History--Great Britain--20th century.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN2595.13.B34 / G63 2007eb
Dewey Class. No.: 792.089/96041
Staging black feminismsidentity, politics, performance /
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[electronic resource] :
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identity, politics, performance /
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Lynette Goddard.
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2007.
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ix, 229 p.
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Performance interventions
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Includes bibliographical references (p. 198-220) and index.
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PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
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Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
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Electronic reproduction.
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Palgrave Macmillan,
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2009.
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access to fulltext (Palgrave)
based on 0 review(s)
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電子館藏
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EB PN2595.13.B34 G63 2007eb 2007
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1 records • Pages 1 •
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https://link.springer.com/book/10.1057/9780230801448
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