國立高雄大學圖資館 |

登入

回首頁

Wordsworth and word-preserving artstypographic inscription, ekphrasis and posterity in the later work /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Wordsworth and word-preserving artsPeter Simonsen.
其他題名:	typographic inscription, ekphrasis and posterity in the later work /
作者:	Simonsen, Peter.
出版者:	Basingstoke [England] ;Palgrave Macmillan,2007.
面頁冊數:	x, 216 p. :ill.
標題:	Ekphrasis.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230590748

Wordsworth and word-preserving artstypographic inscription, ekphrasis and posterity in the later work /
Simonsen, Peter.

Wordsworth and word-preserving artstypographic inscription, ekphrasis and posterity in the later work /[electronic resource] :Peter Simonsen. - Basingstoke [England] ;Palgrave Macmillan,2007. - x, 216 p. :ill.

Includes bibliographical references (p. 210-212) and index.

The return of the visible and Romantic ekphrasis : Wordsworth in thevisual art culture of Romanticism -- Typographic inscription : the artof 'word-preserving' in Wordsworth's later inscriptions-- 'If mine had been the painter's hand' : Wordsworth's collaboration with Sir GeorgeBeaumont -- Thesonnet as visual poetry : Italics in 'After-thought' -- The book of ekphrasis : Yarrow revisited, and other poems -- 'The marble index of a mind' : frontispiece portraiture and the image of late Wordsworth.

Did Wordsworth really become a poorer poet after 1807, as most readers since the Victorians have maintained? Wordsworth and Word-PreservingArts reopens this central question, and is the first critical study togive serious and sustained attention to two central aspects of the poet's later work: his ekphrastic writings about visual art, and his increased awareness of the printed dimension of his work. Using insights from the developing fields of interart studies in ekphrasis and textual criticism, Peter Simonsen argues that these aspects reveal Wordsworth as a much more interesting - because much more enduringly active - artist than is commonly thought. By calling attention to what is uniquely exciting about the later Wordsworth, and by arguing that this complicates traditional understandings of the poet based on his so-called Great Decade, Wordsworth and Word-Preserving Arts proposes a fundamental revaluation not only of the central poet of British Romanticism, but of the entire literary movement.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230590748

Standard No.: 10.1057/9780230590748doiSubjects--Personal Names:

399787
Wordsworth, William,
1770-1850--Criticism and interpretation.Subjects--Topical Terms:

473826
Ekphrasis.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR5892.A66 / S56 2007eb

Dewey Class. No.: 821.7

Wordsworth and word-preserving artstypographic inscription, ekphrasis and posterity in the later work /
LDR:02805cmm a2200301 a 4500 001 268366
003 OCoLC
005 20101102091444.0
006 m d
007 cr nn muauu
008 101122s2007 enka sb 001 0 eng d
020 $a 9780230590748
020 $a 0230590748
024 7 $a 10.1057/9780230590748 $2 doi
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
043 $a e-uk-en
049 $a APTA
050 1 4 $a PR5892.A66 $b S56 2007eb
082 0 4 $a 821.7 $2 22
100 1 $a Simonsen, Peter. $3 473859
245 1 0 $a Wordsworth and word-preserving arts $h [electronic resource] : $b typographic inscription, ekphrasis and posterity in the later work / $c Peter Simonsen.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2007.
300 $a x, 216 p. : $b ill.
504 $a Includes bibliographical references (p. 210-212) and index.
505 0 $a The return of the visible and Romantic ekphrasis : Wordsworth in thevisual art culture of Romanticism -- Typographic inscription : the artof 'word-preserving' in Wordsworth's later inscriptions-- 'If mine had been the painter's hand' : Wordsworth's collaboration with Sir GeorgeBeaumont -- Thesonnet as visual poetry : Italics in 'After-thought' -- The book of ekphrasis : Yarrow revisited, and other poems -- 'The marble index of a mind' : frontispiece portraiture and the image of late Wordsworth.
520 $a Did Wordsworth really become a poorer poet after 1807, as most readers since the Victorians have maintained? Wordsworth and Word-PreservingArts reopens this central question, and is the first critical study togive serious and sustained attention to two central aspects of the poet's later work: his ekphrastic writings about visual art, and his increased awareness of the printed dimension of his work. Using insights from the developing fields of interart studies in ekphrasis and textual criticism, Peter Simonsen argues that these aspects reveal Wordsworth as a much more interesting - because much more enduringly active - artist than is commonly thought. By calling attention to what is uniquely exciting about the later Wordsworth, and by arguing that this complicates traditional understandings of the poet based on his so-called Great Decade, Wordsworth and Word-Preserving Arts proposes a fundamental revaluation not only of the central poet of British Romanticism, but of the entire literary movement.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Wordsworth, William, $d 1770-1850 $x Criticism and interpretation. $3 399787
650 0 $a Ekphrasis. $3 473826
650 0 $a Inscriptions in literature. $3 461289
650 0 $a Art and literature $z England $x History $y 19th century. $3 461305
650 0 $a Romanticism $z England. $3 221648
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 0230524818 $z 9780230524811 $w (DLC) 2007022912 $w (OCoLC)144598078
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230590748 $z access to fulltext (Palgrave)