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Freud's drivepsychoanalysis, literature and film /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Freud's driveTeresa de Lauretis.
Reminder of title:	psychoanalysis, literature and film /
Author:	De Lauretis, Teresa.
Published:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2008.
Description:	x, 190 p.
Series:	Language, discourse, society
Subject:	Motion picturesPsychological aspects.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230583047

Freud's drivepsychoanalysis, literature and film /
De Lauretis, Teresa.

Freud's drivepsychoanalysis, literature and film /[electronic resource] :Teresa de Lauretis. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2008. - x, 190 p. - Language, discourse, society.

Includes bibliographical references (p. 153-182) and indexes.

Introduction: Death @ work -- Basic instincts: an illustrated guide to Freud's theory of drives -- The stubborn drive: Foucault, Freud, Fanon -- The queer space of the drive: rereading Freud with Laplanche -- Becoming inorganic: Cronenberg's eXistenZ, virtuality and the death drive -- The odor of memory: on reading Djuna Barnes with Freud.

When Freud revised his view of the drives, he was living under the shadow of death and the threat of biological and cultural genocide. Likethe early twentieth century, our times are marked by massive geopolitical trauma and shifts in technological, epistemic and sexual-representational practices. This book argues for the renewed relevance of the Freudian theory of drives through a variety of works ranging from cinema and literature to metapsychology and cultural theory. After presenting Freud's successive configurations of the drive in the form of a guide, 'illustrated' with reference to popular films, Teresa de Lauretis discusses two instances of philosophical-political contestation:Foucault's critique of Freud's 'stubborn drive', which served as foundation for thenotion of socialconstruction, and Laplanche's critique of Freud's biologism. The last two chapters trace the figural inscription of the death drive through close readings of Djuna Barnes's high-modernist novel Nightwood (1936) and David Cronenberg's postmodern film eXistenZ (1999).

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583047

Standard No.: 10.1057/9780230583047doiSubjects--Personal Names:

176447
Freud, Sigmund,
1856-1939.Subjects--Topical Terms:

221678
Motion pictures
--Psychological aspects.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995 / .D3575 2008eb

Dewey Class. No.: 809/.93353

Freud's drivepsychoanalysis, literature and film /
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100 1 $a De Lauretis, Teresa. $3 219252
245 1 0 $a Freud's drive $h [electronic resource] : $b psychoanalysis, literature and film / $c Teresa de Lauretis.
260 $a Houndmills, Basingstoke, Hampshire ; $a New York : $b Palgrave Macmillan, $c 2008.
300 $a x, 190 p.
440 0 $a Language, discourse, society
504 $a Includes bibliographical references (p. 153-182) and indexes.
505 0 $a Introduction: Death @ work -- Basic instincts: an illustrated guide to Freud's theory of drives -- The stubborn drive: Foucault, Freud, Fanon -- The queer space of the drive: rereading Freud with Laplanche -- Becoming inorganic: Cronenberg's eXistenZ, virtuality and the death drive -- The odor of memory: on reading Djuna Barnes with Freud.
520 $a When Freud revised his view of the drives, he was living under the shadow of death and the threat of biological and cultural genocide. Likethe early twentieth century, our times are marked by massive geopolitical trauma and shifts in technological, epistemic and sexual-representational practices. This book argues for the renewed relevance of the Freudian theory of drives through a variety of works ranging from cinema and literature to metapsychology and cultural theory. After presenting Freud's successive configurations of the drive in the form of a guide, 'illustrated' with reference to popular films, Teresa de Lauretis discusses two instances of philosophical-political contestation:Foucault's critique of Freud's 'stubborn drive', which served as foundation for thenotion of socialconstruction, and Laplanche's critique of Freud's biologism. The last two chapters trace the figural inscription of the death drive through close readings of Djuna Barnes's high-modernist novel Nightwood (1936) and David Cronenberg's postmodern film eXistenZ (1999).
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Freud, Sigmund, $d 1856-1939. $3 176447
650 0 $a Motion pictures $x Psychological aspects. $3 221678
650 0 $a Psychoanalysis and motion pictures. $3 215540
650 0 $a Sex in motion pictures. $3 326388
650 0 $a Literature $x Psychology. $3 325156
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 9780230524781 $z 0230524788 $w (DLC) 2008011107 $w (OCoLC)213375893
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230583047 $z access to fulltext (Palgrave)