國立高雄大學圖資館 |

Language: English

Back

National theatres in a changing Europe

Record Type:	Electronic resources : Monograph/item
Title/Author:	National theatres in a changing Europeedited by S.E. Wilmer.
other author:	Wilmer, S. E.
Published:	Basingstoke [England] ;Palgrave Macmillan,2008.
Description:	xvi, 259 p.
Notes:	"This book developed from a symposium on national theatres of Europeat Trinity College Dublinin March 2005. Many of the chapters for the book were first presented in an earlier form at that meeting. Some of the articles, however, were commissioned subsequently"--P. xi.
Series:	Studies in international performance
Subject:	TheaterHistory.Europe
Subject:	Europa (geografie)
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230582910

National theatres in a changing Europe
National theatres in a changing Europe[electronic resource] /edited by S.E. Wilmer. - Basingstoke [England] ;Palgrave Macmillan,2008. - xvi, 259 p. - Studies in international performance.

"This book developed from a symposium on national theatres of Europeat Trinity College Dublinin March 2005. Many of the chapters for the book were first presented in an earlier form at that meeting. Some of the articles, however, were commissioned subsequently"--P. xi.

Includes bibliographical references (p. 239-244) and index.

Author Preface -- Series Preface -- Notes on Contributors -- Introduction; S.E.Wilmer -- PART1: BACKGROUND AND OVERVIEW -- The Developmentof National Theatres in Europe in the Eighteenth and Nineteenth Centuries; S.E.Wilmer -- National Theatres: Then and Now; M.Carlson -- The National Stage and the Naturalized House: (Trans)National Legitimation inModern Europe; L.Kruger -- Towards a History of National Theatres in Europe; B.McConachie -- PART 2: FORMATION, FUNCTION, LANGUAGE ISSUES ANDIDEOLOGICAL CONTROL -- A Window to the West: Russian Imperial Theatres; J.Listengarten -- The Abbey Opens: A First Night Revisited; B.Levitas-- The Development of Norway's National Theatres; K.Shepherd-Barr -- Justification as National Throughout Changing Times: The National Theatre of Finland; P.Koski -- Creating and Dismantling the National Theatre in Divided Belgium; F.Peeters -- National on Compulsion: The Moscow ArtTheatre; L.Senelick -- Italy: The Fancy of a National Theatre?; P.Gaborik -- PART 3: NEW FUNCTIONS AND STRUCTURES IN A CHANGING EUROPE -- Proliferation and Differentiation of National Theatres in France; D.Whitton -- A National Theatre Decentralized: Sweden's Three and a Half National Theatres; R.Hoogland & W.Sauter -- Aspects of National Theatres in Germany after 1945; T.Irmer -- The National Theatre and Civic Responsibility in the British Isles; M.Coveney -- Bulgarian National Theatre "Ivan Vazov": Traditionally Non-Traditional; K.Stefanova -- The Disappearing Balkans:National Theatres and Geopolitics; B.Susec-Michieli -- Inadequate Subsidy and a Market Economy in theBaltic Countries; E.Klivis --PART 4: CHALLENGES FOR THE TWENTY-FIRST CENTURY -- National TheatresUndermined by the Withering of the Nation State; D.Klaic -- The Role of National Theatres in an Ageof Globalization; J.Reinelt -- Select Bibliography -- Index --.

This new collection of essays addresses the historic and contemporary roles of National Theatres in Europe (such as those in London, Paris,Helsinki and Moscow) and the changing artistic, social, political and economic circumstances that have created a crisis for their position ascultural flagships today. Leading international theatre scholars including Marvin Carlson, Laurence Senelick, Loren Kruger, Willmar Sauter, Bruce McConachie and Thomas Irmer examine National Theatres throughout Europe, analyzing their structures and roles in society, and illuminating the problems that they are currently facing. Edgaras Klivis, Barbara Susec Michieli and Kalina Stefanova provide surprising perspectives on Baltic, Balkan and Eastern European countries, in the aftermath of recent political and cultural transitions. Dragan Klaic, from Serbia and the Netherlands, proposes a novel approach to National Theatre repertories, and Michael Coveney and Janelle Reinelt reflect on the practices of the National Theatre of London and on the implications of the newly created National Theatre of Scotland.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230582910

Standard No.: 10.1057/9780230582910doiSubjects--Topical Terms:

220895
Theater
--History.--EuropeSubjects--Geographical Terms:

272063
Europa (geografie)
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2570 / .N39 2008eb

Dewey Class. No.: 792.094

National theatres in a changing Europe
LDR:04520cmm a2200325 a 4500 001 268784
003 OCoLC
005 20101102091320.0
006 m d
007 cr nn muauu
008 101122s2008 enk sb 001 0 eng d
020 $a 9780230582910
020 $a 0230582915
024 7 $a 10.1057/9780230582910 $2 doi
040 $a UKPGM $b eng $c UKPGM $d YDXCP $d IDEBK
041 0 $a eng
043 $a e------
049 $a APTA
050 1 4 $a PN2570 $b .N39 2008eb
082 0 4 $a 792.094 $2 22
245 0 0 $a National theatres in a changing Europe $h [electronic resource] / $c edited by S.E. Wilmer.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2008.
300 $a xvi, 259 p.
440 0 $a Studies in international performance
500 $a "This book developed from a symposium on national theatres of Europeat Trinity College Dublinin March 2005. Many of the chapters for the book were first presented in an earlier form at that meeting. Some of the articles, however, were commissioned subsequently"--P. xi.
504 $a Includes bibliographical references (p. 239-244) and index.
505 0 $a Author Preface -- Series Preface -- Notes on Contributors -- Introduction; S.E.Wilmer -- PART1: BACKGROUND AND OVERVIEW -- The Developmentof National Theatres in Europe in the Eighteenth and Nineteenth Centuries; S.E.Wilmer -- National Theatres: Then and Now; M.Carlson -- The National Stage and the Naturalized House: (Trans)National Legitimation inModern Europe; L.Kruger -- Towards a History of National Theatres in Europe; B.McConachie -- PART 2: FORMATION, FUNCTION, LANGUAGE ISSUES ANDIDEOLOGICAL CONTROL -- A Window to the West: Russian Imperial Theatres; J.Listengarten -- The Abbey Opens: A First Night Revisited; B.Levitas-- The Development of Norway's National Theatres; K.Shepherd-Barr -- Justification as National Throughout Changing Times: The National Theatre of Finland; P.Koski -- Creating and Dismantling the National Theatre in Divided Belgium; F.Peeters -- National on Compulsion: The Moscow ArtTheatre; L.Senelick -- Italy: The Fancy of a National Theatre?; P.Gaborik -- PART 3: NEW FUNCTIONS AND STRUCTURES IN A CHANGING EUROPE -- Proliferation and Differentiation of National Theatres in France; D.Whitton -- A National Theatre Decentralized: Sweden's Three and a Half National Theatres; R.Hoogland & W.Sauter -- Aspects of National Theatres in Germany after 1945; T.Irmer -- The National Theatre and Civic Responsibility in the British Isles; M.Coveney -- Bulgarian National Theatre "Ivan Vazov": Traditionally Non-Traditional; K.Stefanova -- The Disappearing Balkans:National Theatres and Geopolitics; B.Susec-Michieli -- Inadequate Subsidy and a Market Economy in theBaltic Countries; E.Klivis --PART 4: CHALLENGES FOR THE TWENTY-FIRST CENTURY -- National TheatresUndermined by the Withering of the Nation State; D.Klaic -- The Role of National Theatres in an Ageof Globalization; J.Reinelt -- Select Bibliography -- Index --.
520 $a This new collection of essays addresses the historic and contemporary roles of National Theatres in Europe (such as those in London, Paris,Helsinki and Moscow) and the changing artistic, social, political and economic circumstances that have created a crisis for their position ascultural flagships today. Leading international theatre scholars including Marvin Carlson, Laurence Senelick, Loren Kruger, Willmar Sauter, Bruce McConachie and Thomas Irmer examine National Theatres throughout Europe, analyzing their structures and roles in society, and illuminating the problems that they are currently facing. Edgaras Klivis, Barbara Susec Michieli and Kalina Stefanova provide surprising perspectives on Baltic, Balkan and Eastern European countries, in the aftermath of recent political and cultural transitions. Dragan Klaic, from Serbia and the Netherlands, proposes a novel approach to National Theatre repertories, and Michael Coveney and Janelle Reinelt reflect on the practices of the National Theatre of London and on the implications of the newly created National Theatre of Scotland.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Theater $z Europe $x History. $3 220895
650 1 7 $a Toneel. $2 gtt $3 463046
650 1 7 $a Toneelgezelschappen. $2 gtt $3 475057
650 1 7 $a Nationaal bewustzijn. $2 gtt $3 473463
651 7 $a Europa (geografie) $2 gtt $3 272063
655 7 $a Electronic books. $2 local. $3 214472
700 1 $a Wilmer, S. E. $3 475056
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 0230521096 $z 9780230521094 $w (DLC) 2007052921 $w (OCoLC)187300436
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230582910 $z access to fulltext (Palgrave)