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Family authorship and romantic print culture

Record Type:	Electronic resources : Monograph/item
Title/Author:	Family authorship and romantic print cultureMichelle Levy.
Author:	Levy, Michelle Nancy,
Published:	Basingstoke :Palgrave Macmillan,2008.
Description:	xii, 220 p. :ill.
Series:	Palgrave studies in the Enlightenment, romanticism and cultures of print
Subject:	AuthorshipHistory18th century.
Subject:	Great BritainEconomic policy1979-1997.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230590083

Family authorship and romantic print culture
Levy, Michelle Nancy,1968-

Family authorship and romantic print culture[electronic resource] /Michelle Levy. - Basingstoke :Palgrave Macmillan,2008. - xii, 220 p. :ill. - Palgrave studies in the Enlightenment, romanticism and cultures of print.

Includes bibliographical references and index.

List of Illustrations -- Acknowledgements -- List of Abbreviations -- Introduction -- Family,Nation, and the Radical Education of Barbauldand Aikin -- Coleridge, Manuscript Culture, and the Family Romance of Print -- Working Families and the Children's Book Trade -- The Shelleys, the Wordsworths, and the Family Tour -- Literary Remains, Family Editors, and Romantic Genius -- Epilogue -- Notes -- Works Cited -- Index --.

Family Authorship and Romantic Print Culture explores the conjunction of authorship and family life as a distinctive cultural formation of the Romantic period. Through examination of the material practices and literary texts of families such as the Wordsworths, the Coleridges, theGodwins and the Shelleys, this book traces an alternative history of Romantic authorship, one that lies on the cusp between a vanishing manuscript culture and the dominance of print; that reflects a struggle in Romantic self-identity between communities of feeling and individual genius; and that grapples with an evolving tension between the private andpublic spheres. Surveying the broad range of generic possibilities available to family authors, from poetry to memoir, travel narrative to children's literature, with careful attention to the ways in which their writing was produced and disseminated, Michelle Levy offers one of the fullest accounts of how the social history of the family interacted with the booming print marketplace of the Romantic era.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230590083

Standard No.: 10.1057/9780230590083doiSubjects--Topical Terms:

249385
Authorship
--History--18th century.Subjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN151 / .L48 2008eb

Dewey Class. No.: 820.9145

Family authorship and romantic print culture
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245 1 0 $a Family authorship and romantic print culture $h [electronic resource] / $c Michelle Levy.
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300 $a xii, 220 p. : $b ill.
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504 $a Includes bibliographical references and index.
505 0 $a List of Illustrations -- Acknowledgements -- List of Abbreviations -- Introduction -- Family,Nation, and the Radical Education of Barbauldand Aikin -- Coleridge, Manuscript Culture, and the Family Romance of Print -- Working Families and the Children's Book Trade -- The Shelleys, the Wordsworths, and the Family Tour -- Literary Remains, Family Editors, and Romantic Genius -- Epilogue -- Notes -- Works Cited -- Index --.
520 $a Family Authorship and Romantic Print Culture explores the conjunction of authorship and family life as a distinctive cultural formation of the Romantic period. Through examination of the material practices and literary texts of families such as the Wordsworths, the Coleridges, theGodwins and the Shelleys, this book traces an alternative history of Romantic authorship, one that lies on the cusp between a vanishing manuscript culture and the dominance of print; that reflects a struggle in Romantic self-identity between communities of feeling and individual genius; and that grapples with an evolving tension between the private andpublic spheres. Surveying the broad range of generic possibilities available to family authors, from poetry to memoir, travel narrative to children's literature, with careful attention to the ways in which their writing was produced and disseminated, Michelle Levy offers one of the fullest accounts of how the social history of the family interacted with the booming print marketplace of the Romantic era.
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