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Historical reenactmentfrom realism to theaffective turn /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Historical reenactmentedited by Iain McCalman and Paul A. Pickering.
Reminder of title:	from realism to theaffective turn /
other author:	McCalman, Iain.
Published:	Basingstoke [England] ;Palgrave Macmillan,2010.
Description:	xi, 229 p. :ill.
Subject:	Historical reenactments.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230277090

Historical reenactmentfrom realism to theaffective turn /
Historical reenactmentfrom realism to theaffective turn /[electronic resource] :edited by Iain McCalman and Paul A. Pickering. - Basingstoke [England] ;Palgrave Macmillan,2010. - xi, 229 p. :ill. - Reenactment history. - Reenactment history..

Includes bibliographical references and index.

From realism to the affective turn: an agenda /Iain McCalman and Paul A. Pickering --

What was it like to live in the past? How did it feel? Ever since the late eighteenth centurywhen new forms of visual entertainment claimed to be able to use technology to replicate or simulatethe literal details of nature, scholars, poets and intellectuals have bemoaned the increasing dominance of the realist aesthetic. More recently reenactment has become the most widely consumed form ofpopular history. The essays in the volume engage with the quest for a definition and an appropriatedelimitation of reenactment as well as the philosophical and practicalquestions revolving around thevexed relationship between realism and affect. Exploring these questions is aided by attention to genre and tothat end many of the essays here explore the place of reenactment in pursuits within andbeyond the academy - history, literature, music, theatre, dance, the law, film, television, public commemoration and historical tourism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230277090Subjects--Topical Terms:

477357
Historical reenactments.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: D16.163 / .H57 2010

Dewey Class. No.: 909

Historical reenactmentfrom realism to theaffective turn /
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245 0 0 $a Historical reenactment $h [electronic resource] : $b from realism to theaffective turn / $c edited by Iain McCalman and Paul A. Pickering.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2010.
300 $a xi, 229 p. : $b ill.
490 1 $a Reenactment history
504 $a Includes bibliographical references and index.
505 0 0 $t From realism to the affective turn: an agenda / $r Iain McCalman and Paul A. Pickering -- $t "-- Just as it would have been in 1861": stuttering colonial beginnings in ABC's Outback house / $r Anja Schwarz -- $t "Recreating chaos": Jeremy Deller's The battle of Orgreave / $r Katie Kitamura -- $t On beinga mobile monument: historical reenactments and commemorations / $r Stephen Gapps -- $t What should we doabout slavery? Slavery, abolition and public history / $r James Walvin -- $t Reenactment and neo-realism / $r John Brewer -- $t Textual realism and reenactment / $r Jonathan Walker-- $t "No witnesses. No leads.No problems": the reenactment of crime and rebellion / $r Paul A Pickering -- $t R.G. Collingwood, historical reenactment and the early music revival / $r Kate Brown -- $t "From wigwam to white lights": popular culture, politics, and the performance of Native North American identity in the era of assimilationism / $r Ruth B. Phillipsand Trudy Nicks -- $t Music toil: eighteenth-century preconditions for the modern historical reenactment / $r Simon During -- $t Loutherbourg's simulations: reenactment and realisminLate-Georgian Britain / $r Iain McCalman.
520 $a What was it like to live in the past? How did it feel? Ever since the late eighteenth centurywhen new forms of visual entertainment claimed to be able to use technology to replicate or simulatethe literal details of nature, scholars, poets and intellectuals have bemoaned the increasing dominance of the realist aesthetic. More recently reenactment has become the most widely consumed form ofpopular history. The essays in the volume engage with the quest for a definition and an appropriatedelimitation of reenactment as well as the philosophical and practicalquestions revolving around thevexed relationship between realism and affect. Exploring these questions is aided by attention to genre and tothat end many of the essays here explore the place of reenactment in pursuits within andbeyond the academy - history, literature, music, theatre, dance, the law, film, television, public commemoration and historical tourism.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 14, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Historical reenactments. $3 477357
650 0 $a Historical reenactments $x History. $3 477358
650 0 $a Historical reenactments $x Social aspects. $3 477359
650 0 7 $a Living History $2 swd $3 477360
650 0 7 $a Historisches Festspiel $2 swd $3 477361
655 7 $a Electronic books. $2 local. $3 214472
700 1 $a McCalman, Iain. $3 477354
700 1 $a Pickering, Paul A. $3 477355
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830 0 $a Reenactment history. $3 477356
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