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Performing the nation in interwar Germanysports, spectacles and political symbols, 1926-1936 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performing the nation in interwar GermanyNadine Rossol.
Reminder of title:	sports, spectacles and political symbols, 1926-1936 /
Author:	Rossol, Nadine,
Published:	New York :Palgrave Macmillan,2010.
Description:	1 online resource
Subject:	Aesthetics, German20th century.
Subject:	GermanySocial policy.
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230274778

Performing the nation in interwar Germanysports, spectacles and political symbols, 1926-1936 /
Rossol, Nadine,1978-

Performing the nation in interwar Germanysports, spectacles and political symbols, 1926-1936 /[electronic resource] :Nadine Rossol. - New York :Palgrave Macmillan,2010. - 1 online resource

Includes bibliographical references and index.

Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.

Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230274778Subjects--Topical Terms:

477420
Aesthetics, German
--20th century.Subjects--Geographical Terms:

383957
Germany
--Social policy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: DD240 / .R633 2010

Dewey Class. No.: 943.085

Performing the nation in interwar Germanysports, spectacles and political symbols, 1926-1936 /
LDR:02394cmm a2200289 a 4500 001 270480
003 OCoLC
005 20101102091504.0
006 m d
007 cr nn muauu
008 101206s2010 nyu sb 001 0 eng d
020 $a 9780230274778
020 $a 0230274773
040 $a UKPGM $b eng $c UKPGM
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049 $a APTA
050 1 4 $a DD240 $b .R633 2010
082 0 4 $a 943.085 $2 22
100 1 $a Rossol, Nadine, $d 1978- $3 477419
245 1 0 $a Performing the nation in interwar Germany $h [electronic resource] : $b sports, spectacles and political symbols, 1926-1936 / $c Nadine Rossol.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a 1 online resource
504 $a Includes bibliographical references and index.
505 0 $a Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.
520 $a Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 14, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Aesthetics, German $y 20th century. $3 477420
650 0 $a Popular culture $z Germany $x History $y 20th century. $3 477421
650 0 $a Political culture $z Germany $x History $y 20th century. $3 328945
651 0 $a Germany $x Social policy. $3 383957
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 9780230217935 $z 0230217931 $w (DLC) 2009046657 $w (OCoLC)629801918
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230274778 $z access to fulltext (Palgrave)