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Memory and Forgetting in English Ren...

Barton, Anne.

Memory and Forgetting in English Renaissance Drama :Shakespeare, Marlowe, Webster.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Memory and Forgetting in English Renaissance Drama :
其他題名:	Shakespeare, Marlowe, Webster.
作者:	Sullivan, Jr., Garrett A.
其他作者:	Barton, Anne.
出版者:	Cambridge :Cambridge University Press,2005.
面頁冊數:	196 p.
標題:	Memory in literature.
電子資源:	Click here to view book
ISBN:	9780511484032 (electronic bk.)

Memory and Forgetting in English Renaissance Drama :Shakespeare, Marlowe, Webster.
Sullivan, Jr., Garrett A.

Memory and Forgetting in English Renaissance Drama :Shakespeare, Marlowe, Webster.[electronic resource]. - Cambridge :Cambridge University Press,2005. - 196 p.

Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Introduction: planting oblivion; 1 Embodying oblivion; 2 ��e this sweet Helen's knell, and now forget her�� forgetting and desire in All's Well That Ends Well; 3 ��f he can remember�� spiritual self-forgetting and Dr. Faustus; 4 ��y oblivion is a very Antony�� 5 Sleep, conscience and fame in The Duchess of Malfi; 6 Coda: "Wrought with things forgotten�� Notes; Index

This fascinating study examines sixteenth and seventeenth century conceptions of memory and forgetting, and their importance for both early modern culture and the drama of Shakespeare, Marlowe and Webster. The author shows how early modern playwrights understood 'self-forgetting' as the occasion for dramatic experiments in representing human behaviour and identity.

Electronic reproduction.

Available via World Wide Web.

Mode of access: World Wide Web.

ISBN: 9780511484032 (electronic bk.)Subjects--Topical Terms:

176731
Memory in literature.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN56.M44 S85 2005eb

Dewey Class. No.: 822.3093561

Memory and Forgetting in English Renaissance Drama :Shakespeare, Marlowe, Webster.
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520 $a This fascinating study examines sixteenth and seventeenth century conceptions of memory and forgetting, and their importance for both early modern culture and the drama of Shakespeare, Marlowe and Webster. The author shows how early modern playwrights understood 'self-forgetting' as the occasion for dramatic experiments in representing human behaviour and identity.
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