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Making the English Canon :Print-Capi...

Ebooks Corporation.

Making the English Canon :Print-Capitalism and the Cultural Past, 1700-1770.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Making the English Canon :
Reminder of title:	Print-Capitalism and the Cultural Past, 1700-1770.
Author:	Kramnick, Jonathan Brody.
Published:	Cambridge :Cambridge University Press,1999.
Description:	297 p.
Subject:	English literature.; Shakespeare, William.
Online resource:	Click here to view book
ISBN:	9780511483653 (electronic bk.)

Making the English Canon :Print-Capitalism and the Cultural Past, 1700-1770.
Kramnick, Jonathan Brody.

Making the English Canon :Print-Capitalism and the Cultural Past, 1700-1770.[electronic resource]. - Cambridge :Cambridge University Press,1999. - 297 p.

Jonathan Brody Kramnick's book examines the formation of the English canon over the first two-thirds of the eighteenth century. Kramnick details how the idea of literary tradition emerged out of a prolonged engagement with the institutions of cultural modernity, from the public sphere and national identity to capitalism and the print market. Looking at a wide variety of eighteenth-century critical writing, he analyzes the tensions that inhabited the categories of national literature and public culture at the moment of their emergence.

Electronic reproduction.

Available via World Wide Web.

Mode of access: World Wide Web.

ISBN: 9780511483653 (electronic bk.)Subjects--Topical Terms:

324070
English literature.; Shakespeare, William.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR421 .K73 1998eb

Dewey Class. No.: 820.9005

Making the English Canon :Print-Capitalism and the Cultural Past, 1700-1770.
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245 1 0 $a Making the English Canon : $b Print-Capitalism and the Cultural Past, 1700-1770. $h [electronic resource].
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520 $a Jonathan Brody Kramnick's book examines the formation of the English canon over the first two-thirds of the eighteenth century. Kramnick details how the idea of literary tradition emerged out of a prolonged engagement with the institutions of cultural modernity, from the public sphere and national identity to capitalism and the print market. Looking at a wide variety of eighteenth-century critical writing, he analyzes the tensions that inhabited the categories of national literature and public culture at the moment of their emergence.
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