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Sonnet Sequences and Social Distinct...

Barton, Anne.

Sonnet Sequences and Social Distinction in Renaissance England.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sonnet Sequences and Social Distinction in Renaissance England.
Author:	Warley, Christopher.
other author:	Barton, Anne.
Published:	Cambridge :Cambridge University Press,2005.
Description:	256 p.
Subject:	Sonnets, English.
Online resource:	Click here to view book
ISBN:	9780511484056 (electronic bk.)

Sonnet Sequences and Social Distinction in Renaissance England.
Warley, Christopher.

Sonnet Sequences and Social Distinction in Renaissance England.[electronic resource]. - Cambridge :Cambridge University Press,2005. - 256 p.

Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; 1 Sonnet sequences and social distinction; 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions; 3 ��n Englishe box�� Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner; 4 ��obler desires��and Sidney's Astrophil and Stella; 5 ��o plenty makes me poore�� Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion; 6 ��ill my bad angel fire my good one out�� engendering economic expertise in Shakespeare's Sonnets

Christopher Warley argues that the formal tensions of the Renaissance sonnet sequence allowed poets to describe and invent new kinds of social distinction. Warley examines the social assumptions embedded in sonnet sequences, and offers a valuable contribution to the study of the social and cultural resonances of lyric forms.

Electronic reproduction.

Available via World Wide Web.

Mode of access: World Wide Web.

ISBN: 9780511484056 (electronic bk.)Subjects--Topical Terms:

234975
Sonnets, English.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR509.S7 W37 2005eb

Dewey Class. No.: 821/.0420903

Sonnet Sequences and Social Distinction in Renaissance England.
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300 $a 256 p.
505 0 $a Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; 1 Sonnet sequences and social distinction; 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions; 3 ��n Englishe box�� Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner; 4 ��obler desires��and Sidney's Astrophil and Stella; 5 ��o plenty makes me poore�� Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion; 6 ��ill my bad angel fire my good one out�� engendering economic expertise in Shakespeare's Sonnets
505 8 $a 7 ��he English straine�� absolutism, class, and Drayton's Ideas, 1594��619Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere; Notes; Index
520 $a Christopher Warley argues that the formal tensions of the Renaissance sonnet sequence allowed poets to describe and invent new kinds of social distinction. Warley examines the social assumptions embedded in sonnet sequences, and offers a valuable contribution to the study of the social and cultural resonances of lyric forms.
533 $a Electronic reproduction. $n Available via World Wide Web.
538 $a Mode of access: World Wide Web.
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655 7 $a Electronic books. $2 local. $3 214472
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