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Metaphor and Shakespearean dramaunchaste signification /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Metaphor and Shakespearean dramaMaria Franziska Fahey.
Reminder of title:	unchaste signification /
Author:	Fahey, Maria F.
Published:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011.
Description:	1 online resource (xvii, 192 p.) :ill.
Subject:	Metaphor in literature.
Online resource:	https://link.springer.com/book/10.1057/9780230308800
ISBN:	9780230308800 (electronic bk.)

Metaphor and Shakespearean dramaunchaste signification /
Fahey, Maria F.

Metaphor and Shakespearean dramaunchaste signification /[electronic resource] :Maria Franziska Fahey. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource (xvii, 192 p.) :ill. - Early modern literature in history. - Early modern literature in history (Palgrave Macmillan (Firm)).

Includes bibliographical references and index.

Illustration -- Acknowledgments -- Preface -- 'Unchaste Signification': Classical, Elizabethan, and Contemporary Theories of Metaphor -- Proving Desdemona Haggard: Metaphor and Marriage in Othello -- 'Martyred Signs': Sacrifice and Metaphor in Titus Andronicus -- Imperfect Speech: Metaphor and Equivocation in Macbeth -- 'Base Comparisons': Figuring Royalty in King Henry IV Part 1 -- 'Ears of Flesh and Blood': Dead Metaphors and Ghostly Figures in Hamlet -- 'Strange Fish': Transport and Translation in The Tempest -- Works Cited -- Index.

Metaphor and Shakespearean Drama explores the fruitful and potentially�disorderly nature of metaphorical utterances in Shakespearean drama. Borrowing its title from Henry Peacham's 1593 warning that 'there be no uncleane or unchast[e] signification contained in the Metaphore, ' it explores the worry expressed in Elizabethan rhetoric books that a metaphor might beget illegitimate meanings. Shakespeare's plays demonstrate that a metaphor can indeed generate�unruly meanings which, once uttered, have the power to transform a community. Analyses of Othello, Titus Andronicus, Macbeth, King Henry IV Part 1, Hamlet, and The Tempest demonstrate various aspects of metaphoric performance. These�include metaphor's power to import discourses into speech communities; metaphor's sacrificial nature; the relationship between metaphor and equivocation; metaphor's carnivalesque qualities; dead metaphor's ability to haunt living speech; and metaphor's�ability to circulate unacknowledged collective fantasies.

ISBN: 9780230308800 (electronic bk.)

Standard No.: 9786613317780

Source: 404805Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:

272342
Metaphor in literature.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR3072 / .F34 2011

Dewey Class. No.: 822.3/3

Metaphor and Shakespearean dramaunchaste signification /
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300 $a 1 online resource (xvii, 192 p.) : $b ill.
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504 $a Includes bibliographical references and index.
505 0 $a Illustration -- Acknowledgments -- Preface -- 'Unchaste Signification': Classical, Elizabethan, and Contemporary Theories of Metaphor -- Proving Desdemona Haggard: Metaphor and Marriage in Othello -- 'Martyred Signs': Sacrifice and Metaphor in Titus Andronicus -- Imperfect Speech: Metaphor and Equivocation in Macbeth -- 'Base Comparisons': Figuring Royalty in King Henry IV Part 1 -- 'Ears of Flesh and Blood': Dead Metaphors and Ghostly Figures in Hamlet -- 'Strange Fish': Transport and Translation in The Tempest -- Works Cited -- Index.
505 0 $a "Unchaste signification": Classical, Elizabethan, and contemporary theories of metaphor -- Proving Desdemona haggard: Metaphor and marriage in Othello -- "Martyred signs": Sacrifice and metaphor in Titus Andronicus -- Imperfect speech: Metaphor and equivocation in Macbeth -- "Base comparisons": Figuring royalty in King Henry IV part 1 -- "Ears of flesh and blood": Dead metaphors and ghostly figures in Hamlet -- "Strange fish": Transport and translation in The tempest.
520 $a Metaphor and Shakespearean Drama explores the fruitful and potentially�disorderly nature of metaphorical utterances in Shakespearean drama. Borrowing its title from Henry Peacham's 1593 warning that 'there be no uncleane or unchast[e] signification contained in the Metaphore, ' it explores the worry expressed in Elizabethan rhetoric books that a metaphor might beget illegitimate meanings. Shakespeare's plays demonstrate that a metaphor can indeed generate�unruly meanings which, once uttered, have the power to transform a community. Analyses of Othello, Titus Andronicus, Macbeth, King Henry IV Part 1, Hamlet, and The Tempest demonstrate various aspects of metaphoric performance. These�include metaphor's power to import discourses into speech communities; metaphor's sacrificial nature; the relationship between metaphor and equivocation; metaphor's carnivalesque qualities; dead metaphor's ability to haunt living speech; and metaphor's�ability to circulate unacknowledged collective fantasies.
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