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After the Dresden bombingpathways of memory, 1945 to the present /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	After the Dresden bombingAnne Fuchs.
其他題名:	pathways of memory, 1945 to the present /
作者:	Fuchs, Anne.
出版者:	Basingstoke :Palgrave Macmillan,c2012.
面頁冊數:	1 online resource (xiii, 275 p.) :ill.
附註:	Includes index.
標題:	Collective memory.
標題:	Dresden (Germany)HistoryBombardment, 1945.
電子資源:	https://link.springer.com/book/10.1057/9780230359529
ISBN:	9780230359529 (electronic bk.)

After the Dresden bombingpathways of memory, 1945 to the present /
Fuchs, Anne.

After the Dresden bombingpathways of memory, 1945 to the present /[electronic resource] :Anne Fuchs. - Basingstoke :Palgrave Macmillan,c2012. - 1 online resource (xiii, 275 p.) :ill.

Includes index.

Acknowledgements -- Preface -- Introduction: The Destruction of Dresden and the Excess of the Real -- Visual Mediations: Dresden in Postwar Photography and Fine Art -- Architectural Interventions I: West and East German Postwar Debates -- Architectural Interventions II: Dresden's Altmarkt and the Topology of Power -- Literary Voices I: The Built Environment and Memoryscapes in Brigitte Reimann and Uwe Tellkamp -- Literary Voices II: War Memories in Kurt Vonnegut, Heinz Czechowski and Durs Grunbein -- Filmic Representations: Documenting Resentment, Grief and Forgiveness -- Conclusion -- Endnotes -- Works Cited -- Index.

Together with Hiroshima and Nagasaki, Dresden belongs to a handful of global icons that capture the destructiveness of warfare in the twentieth century. Immediately recognisable, these icons are endowed with a powerful symbolism that cannot be explained with reference to historical cause and effect alone. This is precisely the terrain of this book, which�addresses the long aftermath of the bombing in the collective and cultural imagination from 1945 to the present. The material under discussion ranges from archival documents, architectural journals, the built environment, travelogues, newspaper articles, documentaries, TV dramas, fiction, diaries, poetry to photography and fine art. As a case study of an event that gained local, national and global iconicity in the postwar period, it illuminates the media-specific transmission of cultural memory in dialogue with the changing socio-political landscape. Debating fundamental processes of cultural transmission, it exemplifies a new mode of doing cultural history that interweaves the local and the global.

ISBN: 9780230359529 (electronic bk.)

Source: 489187Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

309555
Collective memory.
Subjects--Geographical Terms:

565160
Dresden (Germany)
--History--Bombardment, 1945.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: D757.9.D7 / F83 2012eb

Dewey Class. No.: 940.542132142

After the Dresden bombingpathways of memory, 1945 to the present /
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500 $a Includes index.
505 0 $a Acknowledgements -- Preface -- Introduction: The Destruction of Dresden and the Excess of the Real -- Visual Mediations: Dresden in Postwar Photography and Fine Art -- Architectural Interventions I: West and East German Postwar Debates -- Architectural Interventions II: Dresden's Altmarkt and the Topology of Power -- Literary Voices I: The Built Environment and Memoryscapes in Brigitte Reimann and Uwe Tellkamp -- Literary Voices II: War Memories in Kurt Vonnegut, Heinz Czechowski and Durs Grunbein -- Filmic Representations: Documenting Resentment, Grief and Forgiveness -- Conclusion -- Endnotes -- Works Cited -- Index.
520 $a Together with Hiroshima and Nagasaki, Dresden belongs to a handful of global icons that capture the destructiveness of warfare in the twentieth century. Immediately recognisable, these icons are endowed with a powerful symbolism that cannot be explained with reference to historical cause and effect alone. This is precisely the terrain of this book, which�addresses the long aftermath of the bombing in the collective and cultural imagination from 1945 to the present. The material under discussion ranges from archival documents, architectural journals, the built environment, travelogues, newspaper articles, documentaries, TV dramas, fiction, diaries, poetry to photography and fine art. As a case study of an event that gained local, national and global iconicity in the postwar period, it illuminates the media-specific transmission of cultural memory in dialogue with the changing socio-political landscape. Debating fundamental processes of cultural transmission, it exemplifies a new mode of doing cultural history that interweaves the local and the global.
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