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Film trilogiesnew critical approaches /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Film trilogiesedited by Claire Perkins and Constantine Verevis.
其他題名:	new critical approaches /
其他作者:	Perkins, Claire
出版者:	Chichester :Palgrave Macmillan,2012.
面頁冊數:	1 online resource (272 p.)
附註:	Includes index.
標題:	Film seriesHistory and criticism.
電子資源:	https://link.springer.com/book/10.1057/9780230371972
ISBN:	9780230371972 (electronic bk.)

Film trilogiesnew critical approaches /
Film trilogiesnew critical approaches /[electronic resource] :edited by Claire Perkins and Constantine Verevis. - Chichester :Palgrave Macmillan,2012. - 1 online resource (272 p.)

Includes index.

Notes on Contributors -- Introduction: Three Times; C.Perkins& C.Verevis -- PART I: INDUSTRY -- Some Thoughts on New Hollywood Multiplicity: Sofia Coppola's Young Girls Trilogy; R.B.Palmer -- Trilogy as Triptych: John Ford's Cavalry Films; D.Boyd -- Bizarre Love Triangle: The Creature Trilogy; C.Verevis -- The Scre4m Trilogy; C.Perkins -- PART II: AUTEURS -- The Broken Trilogy: Jacques Rivette's Phantoms; A.Martin -- A Critical Panoply: Abel Ferrara's Catholic Imagery Trilogy; N.Brenez -- Remake, Repeat, Revive: Kim Ki-young's Housemaid Trilogies; N.J.Y.Lee & J.Stringer -- The Iceman Cometh (To A Theater Near You): Michael Haneke's Glaciation Trilogy; P.Met -- PART III: CRITICS -- Trilogy as Third Term: Historical Narration in Park Chan-wook's Vengeance Trilogy; D.Herbert -- Profils paysans: Raymond Depardon's Rural Trilogy; L.Mazdon -- Remembering, Repeating, and Working Through: Three Screen Memories by Wago Kreider; S.Felleman -- 'Antoine Doinel, Antoine Doinel, Antoine Doinel': Fra�nois Truffaut's 'Trilogy'; M.Pomerance -- Notes.

In contemporary discussions of media serialization, the film trilogy is typically absorbed into larger considerations of remaking, repetition and recycling. Film Trilogies: New Critical Approaches is the first book to actively address this preconception by attending to the ways in which the trilogy is practiced and perceived as a distinct form at the levels of industry, textuality and criticism. Acknowledging the trilogy's high level of visibility as a commercial mode, as well as its strong historical connections to discourses of authorship and art cinema, the collection begins from the premise that the classification imparts a level of precision exceeding the categories of 'sequels' and 'series'. In lively case studies from American, European and Asian contexts, leading film scholars take up this question to investigate the value that the trilogy nomination brings to a set of films.

ISBN: 9780230371972 (electronic bk.)

Source: 405414Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

565215
Film series
--History and criticism.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.S34 / F55 2012

Dewey Class. No.: 791.43/75

Film trilogiesnew critical approaches /
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505 0 $a Notes on Contributors -- Introduction: Three Times; C.Perkins& C.Verevis -- PART I: INDUSTRY -- Some Thoughts on New Hollywood Multiplicity: Sofia Coppola's Young Girls Trilogy; R.B.Palmer -- Trilogy as Triptych: John Ford's Cavalry Films; D.Boyd -- Bizarre Love Triangle: The Creature Trilogy; C.Verevis -- The Scre4m Trilogy; C.Perkins -- PART II: AUTEURS -- The Broken Trilogy: Jacques Rivette's Phantoms; A.Martin -- A Critical Panoply: Abel Ferrara's Catholic Imagery Trilogy; N.Brenez -- Remake, Repeat, Revive: Kim Ki-young's Housemaid Trilogies; N.J.Y.Lee & J.Stringer -- The Iceman Cometh (To A Theater Near You): Michael Haneke's Glaciation Trilogy; P.Met -- PART III: CRITICS -- Trilogy as Third Term: Historical Narration in Park Chan-wook's Vengeance Trilogy; D.Herbert -- Profils paysans: Raymond Depardon's Rural Trilogy; L.Mazdon -- Remembering, Repeating, and Working Through: Three Screen Memories by Wago Kreider; S.Felleman -- 'Antoine Doinel, Antoine Doinel, Antoine Doinel': Fra�nois Truffaut's 'Trilogy'; M.Pomerance -- Notes.
520 $a In contemporary discussions of media serialization, the film trilogy is typically absorbed into larger considerations of remaking, repetition and recycling. Film Trilogies: New Critical Approaches is the first book to actively address this preconception by attending to the ways in which the trilogy is practiced and perceived as a distinct form at the levels of industry, textuality and criticism. Acknowledging the trilogy's high level of visibility as a commercial mode, as well as its strong historical connections to discourses of authorship and art cinema, the collection begins from the premise that the classification imparts a level of precision exceeding the categories of 'sequels' and 'series'. In lively case studies from American, European and Asian contexts, leading film scholars take up this question to investigate the value that the trilogy nomination brings to a set of films.
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