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Imaging religion in filmthe politics of nostalgia /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Imaging religion in filmM. Gail Hamner.
Reminder of title:	the politics of nostalgia /
Author:	Hamner, M. Gail,
Published:	New York :Palgrave Macmillan,2011.
Description:	1 online resource (xvii, 193 p.) :ill.
Subject:	Religion in motion pictures.
Online resource:	https://link.springer.com/book/10.1057/9781137013248
ISBN:	9781137013248 (electronic bk.)

Imaging religion in filmthe politics of nostalgia /
Hamner, M. Gail,1963-

Imaging religion in filmthe politics of nostalgia /[electronic resource] :M. Gail Hamner. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (xvii, 193 p.) :ill. - New approaches to religion and power. - New approaches to religion and power..

Includes bibliographical references and index.

Introduction: Interpreting Religion and Film -- PART I: FILM STUDY -- Akira Kurosawa: 'What is a Thing?': Posing the Religious in Dersu Uzala (1975) -- Kiarostami: The Face of Modernity Alienation and Transcendence in Taste of Cherry (1997) -- Joel and Ethan Coen: Searching for a Way Out Alienation and Intimacy in The Man Who Wasn't There (2001) -- PART II: THEORETICAL REFLECTIONS -- Religious Realism.

Imaging Religion in Film offers a new methodology for examining the ethico-political dimensions of religion and film, one that foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions. Specifically, the text develops a Foucauldian ethics of the subject, or 'pedagogy of self,' a Deleuzian-Peircean semiotic for discussing religion in film, and a theory of religion within postmodernity that rethinks transcendence alongside a politically galvanizing nostalgia. This theoretical work prefaces analyses of three specific films: Kurosawa's Dersu Uzala (1972); Kiarostami's Taste of Cherry (1997); and the Coens' The Man Who Wasn't There (2001).

ISBN: 9781137013248 (electronic bk.)

Standard No.: 9786613440631

Source: 579898Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

477429
Religion in motion pictures.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.R4 / H36 2011

Dewey Class. No.: 791.43/682

Imaging religion in filmthe politics of nostalgia /
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505 0 $a Akira Kurosawa: "what is a thing?': posing the religious in Dersu uzala (1975) -- Kiarostami: the face of modernity: alienation and transcendence in Taste of cherry (1997) -- Joel and Ethan Coen: searching for a way out: alienation and intimacy in The man who wasn't there (2001) -- Religious realism -- Concluding thoughts.
520 $a Imaging Religion in Film offers a new methodology for examining the ethico-political dimensions of religion and film, one that foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions. Specifically, the text develops a Foucauldian ethics of the subject, or 'pedagogy of self,' a Deleuzian-Peircean semiotic for discussing religion in film, and a theory of religion within postmodernity that rethinks transcendence alongside a politically galvanizing nostalgia. This theoretical work prefaces analyses of three specific films: Kurosawa's Dersu Uzala (1972); Kiarostami's Taste of Cherry (1997); and the Coens' The Man Who Wasn't There (2001).
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