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Court poetry in late medieval Englan...
~
Hasler, Antony.
Court poetry in late medieval England and Scotland :allegories of authority /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Court poetry in late medieval England and Scotland :Antony J. Hasler.
Reminder of title:
allegories of authority /
Author:
Hasler, Antony.
Published:
Cambridge ;Cambridge University Press,2011.
Description:
x, 253 p. ;24 cm.
Subject:
Politics and literatureHistory16th century.Scotland
Online resource:
http://assets.cambridge.org/97805218/09573/cover/9780521809573.jpg
Online resource:
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-b.html
Online resource:
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-d.html
Online resource:
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-t.html
ISBN:
9780521809573 (hbk.) :
Court poetry in late medieval England and Scotland :allegories of authority /
Hasler, Antony.
Court poetry in late medieval England and Scotland :
allegories of authority /Antony J. Hasler. - Cambridge ;Cambridge University Press,2011. - x, 253 p. ;24 cm. - Cambridge studies in medieval literature ;80. - Cambridge studies in medieval literature ;80..
Includes bibliographical references (p. 217-242) and index.
Beginnings: Andre?'s Vita Henrici Septimi and Dunbar's aureate allegories -- The Bowge of Courte and the birth of the paranoid subject -- "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems -- Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour -- Me?moires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes -- Mapping Skelton: "Esebon, Marybon, Wheston next Barnet".
"This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes"--
ISBN: 9780521809573 (hbk.) :NT$2338
LCCN: 2010030520
Nat. Bib. No.: GBB095334bnb
Nat. Bib. Agency Control No.: 015623636UkSubjects--Topical Terms:
566574
Politics and literature
--History--Scotland--16th century.
LC Class. No.: PR525.H5 / H37 2011
Dewey Class. No.: 821/.3093581
Court poetry in late medieval England and Scotland :allegories of authority /
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allegories of authority /
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Includes bibliographical references (p. 217-242) and index.
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Beginnings: Andre?'s Vita Henrici Septimi and Dunbar's aureate allegories -- The Bowge of Courte and the birth of the paranoid subject -- "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems -- Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour -- Me?moires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes -- Mapping Skelton: "Esebon, Marybon, Wheston next Barnet".
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"This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes"--
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西方語文圖書區(四樓)
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320000619884
西方語文圖書區(四樓)
1圖書
一般圖書
PR525.H5 H352 2011
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1 records • Pages 1 •
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Multimedia
Multimedia file
http://assets.cambridge.org/97805218/09573/cover/9780521809573.jpg
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-b.html
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-d.html
http://www.loc.gov/catdir/enhancements/fy1208/2010030520-t.html
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