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Seeing fictions in filmthe epistemol...

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Wilson, George M.

Seeing fictions in filmthe epistemology of movies /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Seeing fictions in filmGeorge M. Wilson.
Reminder of title:	the epistemology of movies /
Author:	Wilson, George M.
Published:	Oxford :Oxford University Press,2011.
Description:	1 online resource (viii, 220 p.) :ill., ports.
Subject:	Motion picturesPhilosophy.
Online resource:	http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001
ISBN:	9780191731440 (ebook) :

Seeing fictions in filmthe epistemology of movies /
Wilson, George M.

Seeing fictions in filmthe epistemology of movies /[electronic resource] :George M. Wilson. - Oxford :Oxford University Press,2011. - 1 online resource (viii, 220 p.) :ill., ports.

Includes bibliographical references and index.

What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.

ISBN: 9780191731440 (ebook) :No priceSubjects--Topical Terms:

181377
Motion pictures
--Philosophy.

LC Class. No.: PN1995

Dewey Class. No.: 791.4'3013

Seeing fictions in filmthe epistemology of movies /
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020 $a 9780191731440 (ebook) : $c No price
020 $a 0191731447 (ebook) : $c No price
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040 $a StDuBDS $c StDuBDS
050 0 $a PN1995
082 0 4 $a 791.4'3013 $2 23
100 1 $a Wilson, George M. $3 578728
245 1 0 $a Seeing fictions in film $h [electronic resource] : $b the epistemology of movies / $c George M. Wilson.
260 $a Oxford : $b Oxford University Press, $c 2011.
300 $a 1 online resource (viii, 220 p.) : $b ill., ports.
504 $a Includes bibliographical references and index.
520 8 $a What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 181377
650 0 $a Motion pictures $x Aesthetics. $3 176990
650 0 $a Motion picture audiences. $3 578729
650 0 $a Narration (Rhetoric) $3 176844
776 0 8 $i Print version $z 9780199594894
856 4 0 $3 Oxford scholarship online $u http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001

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EB PN1995 2011

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1 records • Pages 1 •
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http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001

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