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Film, art, new mediamuseum without w...
~
Dalle Vacche, Angela, (1954-)
Film, art, new mediamuseum without walls? /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Film, art, new mediaedited by Angela Dalle Vacche.
Reminder of title:
museum without walls? /
other author:
Dalle Vacche, Angela,
Published:
Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012.
Description:
1 online resource.
Notes:
Includes index.
Subject:
Motion pictures and history.
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137026132
ISBN:
9781137026132 (electronic bk.)
Film, art, new mediamuseum without walls? /
Film, art, new media
museum without walls? /[electronic resource] :edited by Angela Dalle Vacche. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.
Includes index.
Foreword; B.Peucker -- Acknowledgments -- Note on Contributors -- Introduction; A.Dalle Vacche -- PART I: EARLY CINEMA -- The Artist's Studio: The Affair of Art and Film; L.Nead -- �Czanne and the Lum�ire Brothers; A.Dalle Vacche -- The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew -- PART II: FILM THEORY -- Vertov and the Line: Art, Socialization, Collaboration; J.MacKay -- Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo -- Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew -- Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon -- PART III: VISUAL STUDIES, ART HISTORY, FILM -- Of the Face, in Reticence; N.Steimatsky -- Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci -- PART IV: PAINTERS AND FILMMAKERS -- Artistic Encounters: Jean-Marie Straub, Dan�ile Huillet, and �Czanne; S.Shafto -- Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman -- PART V: FILM, MUSEUM, NEW MEDIA -- A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie -- Elegy, Eulogy, and the Utopia of Restoration b7 sAlexander Sokurov's Russian Ark; J.Szaniawski -- Museums as Laboratories of Change: the Case for the Moving Image; F.Penz -- Right Here p5 sRight Now p5 sArt Gone Live!; G.Hogben.
In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.
ISBN: 9781137026132 (electronic bk.)
Standard No.: 9786613722270
Source: 411017Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
232845
Motion pictures and history.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN1995.2 / .F545 2012
Dewey Class. No.: 791.43
Film, art, new mediamuseum without walls? /
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edited by Angela Dalle Vacche.
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1 online resource.
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Foreword; B.Peucker -- Acknowledgments -- Note on Contributors -- Introduction; A.Dalle Vacche -- PART I: EARLY CINEMA -- The Artist's Studio: The Affair of Art and Film; L.Nead -- �Czanne and the Lum�ire Brothers; A.Dalle Vacche -- The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew -- PART II: FILM THEORY -- Vertov and the Line: Art, Socialization, Collaboration; J.MacKay -- Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo -- Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew -- Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon -- PART III: VISUAL STUDIES, ART HISTORY, FILM -- Of the Face, in Reticence; N.Steimatsky -- Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci -- PART IV: PAINTERS AND FILMMAKERS -- Artistic Encounters: Jean-Marie Straub, Dan�ile Huillet, and �Czanne; S.Shafto -- Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman -- PART V: FILM, MUSEUM, NEW MEDIA -- A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie -- Elegy, Eulogy, and the Utopia of Restoration b7 sAlexander Sokurov's Russian Ark; J.Szaniawski -- Museums as Laboratories of Change: the Case for the Moving Image; F.Penz -- Right Here p5 sRight Now p5 sArt Gone Live!; G.Hogben.
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In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.
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Description based on print version record.
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Film, art, new media.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137026132
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TEF
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000065775
電子館藏
1圖書
電子書
EB PN1995.2 F545 2012 2012
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
http://www.palgraveconnect.com/doifinder/10.1057/9781137026132
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