國立高雄大學圖資館 |

Language: English

Back

The hiplife in Ghanathe West African indigenization of hip-hop /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The hiplife in Ghanaby Halifu Osumare.
Reminder of title:	the West African indigenization of hip-hop /
Author:	Osumare, Halifu.
Published:	Basingstoke :Palgrave Macmillan,2012.
Description:	1 online resource :ill., maps.
Subject:	Hip-hopGhana.
Online resource:	https://link.springer.com/book/10.1057/9781137021656
ISBN:	9781137021656 (electronic bk.)

The hiplife in Ghanathe West African indigenization of hip-hop /
Osumare, Halifu.

The hiplife in Ghanathe West African indigenization of hip-hop /[electronic resource] :by Halifu Osumare. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource :ill., maps.

'Every Hood Has It's Own Style' -- 'Making an African out of the Computer': Globalization and Indigenization in Hiplife -- 'Empowering the Young': Hiplife's Youth Agency -- 'Society of the Spectacle': Hiplife and Corporate Recolonialization -- 'The Game': Hiplife's Counter-Hegemonic Discourse.

The Hiplife in Ghana explores one international site, Ghana, West Africa, where hip-hop music and culture has morphed over two decades into a whole new form of world music called hiplife. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a revision of Ghana's own century-old popular music called highlife. Local hiplife artists have evolved a five-phased indigenization process that has facilitated a dynamic youth agency transforming Ghanaian society. However these social shifts, facilitated by hiplife, have occurred within Ghana's 'corporate recolonization, ' serving as another example of neoliberalism's global free market agenda that has become a new form of colonialism. The text examines hiplife artists' complicity with these socio-economic forces, while also creating counter-hegemonic projects that challenge this socio-economic context and push aesthetics limits at the same time.

ISBN: 9781137021656 (electronic bk.)

Source: 578389Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

584797
Hip-hop
--Ghana.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: ML3531

Dewey Class. No.: 306.484249

The hiplife in Ghanathe West African indigenization of hip-hop /
LDR:02765cmm 2200433Ka 4500 001 352860
003 OCoLC
005 20121107094608.0
006 m d
007 cr cn|||||||||
008 121217s2012 enkab o 000 0 eng d
019 $a 813397185
020 $a 9781137021656 (electronic bk.)
020 $a 1137021659 (electronic bk.)
020 $a 6613953792
020 $a 9786613953797
035 $a (OCoLC)812524768 $z (OCoLC)813397185
035 $a ocn812524768
037 $a 578389 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCQ $d OCLCO $d N $d IDEBK $d YDXCP
043 $a f-gh--- $a fw-----
049 $a TEFA
050 1 4 $a ML3531
072 7 $a POL $x 038000 $2 bisacsh
072 7 $a SOC $x 002010 $2 bisacsh
072 7 $a SOC $x 022000 $2 bisacsh
072 7 $a J $2 bicssc
082 0 4 $a 306.484249 $2 23
100 1 $a Osumare, Halifu. $3 584796
245 1 4 $a The hiplife in Ghana $h [electronic resource] : $b the West African indigenization of hip-hop / $c by Halifu Osumare.
260 $a Basingstoke : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource : $b ill., maps.
505 0 $a 'Every Hood Has It's Own Style' -- 'Making an African out of the Computer': Globalization and Indigenization in Hiplife -- 'Empowering the Young': Hiplife's Youth Agency -- 'Society of the Spectacle': Hiplife and Corporate Recolonialization -- 'The Game': Hiplife's Counter-Hegemonic Discourse.
520 $a The Hiplife in Ghana explores one international site, Ghana, West Africa, where hip-hop music and culture has morphed over two decades into a whole new form of world music called hiplife. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a revision of Ghana's own century-old popular music called highlife. Local hiplife artists have evolved a five-phased indigenization process that has facilitated a dynamic youth agency transforming Ghanaian society. However these social shifts, facilitated by hiplife, have occurred within Ghana's 'corporate recolonization, ' serving as another example of neoliberalism's global free market agenda that has become a new form of colonialism. The text examines hiplife artists' complicity with these socio-economic forces, while also creating counter-hegemonic projects that challenge this socio-economic context and push aesthetics limits at the same time.
588 $a Description based on print version record.
650 0 $a Hip-hop $z Ghana. $3 584797
650 0 $a Rap (Music) $z Ghana $x History and criticism. $3 584798
650 0 $a Hip-hop $z Africa, West. $3 584799
650 0 $a Rap (Music) $z Africa, West $x History and criticism. $3 584800
650 7 $a POLITICAL SCIENCE / Public Policy / Cultural Policy $2 bisacsh $3 564579
650 7 $a SOCIAL SCIENCE / Anthropology / Cultural $2 bisacsh $3 564580
650 7 $a SOCIAL SCIENCE / Popular Culture $2 bisacsh $3 564581
655 4 $a Electronic books. $2 local. $3 214472
776 0 8 $i Print version: $a Osumare, Halifu. $t Hiplife in Ghana. $d Basingstoke : Palgrave Macmillan, 2012 $z 9781137021649 $w (OCoLC)792747590
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137021656
938 $a EBSCOhost $b EBSC $n 492583
938 $a Ingram Digital eBook Collection $b IDEB $n 395379
938 $a YBP Library Services $b YANK $n 9365246
994 $a C0 $b TEF