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Mashed upmusic, technology, and the ...
~
Project Muse.
Mashed upmusic, technology, and the rise of configurable culture /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Mashed upAram Sinnreich.
Reminder of title:
music, technology, and the rise of configurable culture /
Author:
Sinnreich, Aram.
Published:
Amherst :University of Massachusetts Press,c2010.
Description:
1 online resource (xxii, 241 p.) :ill.
Subject:
Turntablism.
Online resource:
Full text available:
ISBN:
9781613760444 (electronic bk.)
Mashed upmusic, technology, and the rise of configurable culture /
Sinnreich, Aram.
Mashed up
music, technology, and the rise of configurable culture /[electronic resource] :Aram Sinnreich. - Amherst :University of Massachusetts Press,c2010. - 1 online resource (xxii, 241 p.) :ill. - Science/technology/culture. - Science/technology/culture..
Includes bibliographical references and index.
The bust -- pt. I. When the mode of the music changes. Music as a controlled substance -- Themodern framework -- The crisis of configurability -- pt. II. Drawing lines in the sand. Yes, but isit art?: the art/craft binary -- Some kid in his bedroom: the artist/audience binary --Something borrowed, something new: the original/copy binary -- Live from a hard drive: The composition/performance binary -- Hooks and hearts: The figure/ground binary -- "He plays dictaphones, and she plays bricks": the materials/tools binary -- pt. III. The lessons: configurability and the new framework. Critique and co-optation -- "Plus ça change"or paradigm shift?
ISBN: 9781613760444 (electronic bk.)Subjects--Topical Terms:
622414
Turntablism.
LC Class. No.: ML3918.P67 / S56 2010
Dewey Class. No.: 306.4/842
Mashed upmusic, technology, and the rise of configurable culture /
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1613760442 (electronic bk.)
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[electronic resource] :
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music, technology, and the rise of configurable culture /
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Aram Sinnreich.
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University of Massachusetts Press,
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ill.
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Includes bibliographical references and index.
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The bust -- pt. I. When the mode of the music changes. Music as a controlled substance -- Themodern framework -- The crisis of configurability -- pt. II. Drawing lines in the sand. Yes, but isit art?: the art/craft binary -- Some kid in his bedroom: the artist/audience binary --Something borrowed, something new: the original/copy binary -- Live from a hard drive: The composition/performance binary -- Hooks and hearts: The figure/ground binary -- "He plays dictaphones, and she plays bricks": the materials/tools binary -- pt. III. The lessons: configurability and the new framework. Critique and co-optation -- "Plus ça change"or paradigm shift?
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Description based on print version record.
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Turntablism.
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622414
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Remixes
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History and criticism.
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Music and technology.
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Full text available:
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http://muse.jhu.edu/books/9781613760444/
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電子館藏
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1 records • Pages 1 •
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000000082269
電子館藏
1圖書
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EB ML3918.P67 S56 c2010
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1 records • Pages 1 •
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http://muse.jhu.edu/books/9781613760444/
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