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Screens and veilsMaghrebi women's ci...

Africa, North

Screens and veilsMaghrebi women's cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screens and veilsFlorence Martin.
Reminder of title:	Maghrebi women's cinema /
Author:	Martin, Florence,
Published:	Bloomington :Indiana University Press,c2011.
Description:	1 online resource (x, 271 p.) :ill.
Subject:	Women in motion pictures.
Subject:	Africa, NorthHistory1517-1882.
Online resource:	Full text available:
ISBN:	9780253005656 (electronic bk.)

Screens and veilsMaghrebi women's cinema /
Martin, Florence,1959-

Screens and veilsMaghrebi women's cinema /[electronic resource] :Florence Martin. - Bloomington :Indiana University Press,c2011. - 1 online resource (x, 271 p.) :ill. - New directions in national cinemas.

Includes bibliographical references and index.

Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.

ISBN: 9780253005656 (electronic bk.)Subjects--Topical Terms:

221963
Women in motion pictures.
Subjects--Geographical Terms:

443075
Africa, North
--History--1517-1882.

LC Class. No.: PN1993.5.A35 / M37 2011

Dewey Class. No.: 791.430961

Screens and veilsMaghrebi women's cinema /
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300 $a 1 online resource (x, 271 p.) : $b ill.
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504 $a Includes bibliographical references and index.
505 0 $a Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
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650 0 $a Women in motion pictures. $3 221963
650 0 $a Motion pictures $x Social aspects $z Africa, North. $3 627259
650 0 $a Women motion picture producers and directors $z Africa, North. $3 629426
650 0 $a Motion pictures $z Africa, North $x History $y 21st century. $3 629427
650 0 $a Motion pictures $z Africa, North $x History $y 20th century. $3 629428
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856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780253005656/