語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Kim Ki-duk
~
Chung, Hye Seung, (1971-)
Kim Ki-duk
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Kim Ki-dukHye Seung Chung.
作者:
Chung, Hye Seung,
出版者:
Urbana :University of Illinois Press,c2012.
面頁冊數:
1 online resource (x, 161 p.) :ill.
電子資源:
Full text available:
ISBN:
9780252093791 (electronic bk.)
Kim Ki-duk
Chung, Hye Seung,1971-
Kim Ki-duk
[electronic resource] /Hye Seung Chung. - Urbana :University of Illinois Press,c2012. - 1 online resource (x, 161 p.) :ill. - Contemporary film directors.
Includes filmography.
Beyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection-- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.
This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal painand extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).
ISBN: 9780252093791 (electronic bk.)Subjects--Personal Names:
633741
Kim, Ki-dok,
1960---Criticism and interpretation.
LC Class. No.: PN1998.3.K585 / C58 2012
Dewey Class. No.: 791.4302/33092
Kim Ki-duk
LDR
:02480cmm a22003374a 4500
001
397903
003
BmJHUP
005
20130419142223.0
006
m f d u
007
cr un uuauu
008
131212s2012 ilua sb 001 0 eng d
010
$z
2011034800
020
$a
9780252093791 (electronic bk.)
020
$a
9780252078415 (pbk.)
020
$a
0252078411 (pbk.)
020
$a
9780252036699 (hbk.)
020
$a
0252036697 (hbk.)
035
$a
MUSE104133
040
$a
MdBmJHUP
$c
MdBmJHUP
041
0
$a
eng
050
0 0
$a
PN1998.3.K585
$b
C58 2012
082
0 0
$a
791.4302/33092
$a
B
$2
23
100
1
$a
Chung, Hye Seung,
$d
1971-
$3
365742
245
1 0
$a
Kim Ki-duk
$h
[electronic resource] /
$c
Hye Seung Chung.
260
$a
Urbana :
$b
University of Illinois Press,
$c
c2012.
$e
(Baltimore, Md. :
$f
Project MUSE,
$g
2013)
300
$a
1 online resource (x, 161 p.) :
$b
ill.
490
0
$a
Contemporary film directors
504
$a
Includes filmography.
504
$a
Includes bibliographical references and index.
505
0
$a
Beyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection-- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.
520
$a
This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal painand extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).
588
$a
Description based on print version record.
600
1 0
$a
Kim, Ki-dok,
$d
1960-
$x
Criticism and interpretation.
$3
633741
710
2
$a
Project Muse.
$3
619504
856
4 0
$z
Full text available:
$u
http://muse.jhu.edu/books/9780252093791/
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000085602
電子館藏
1圖書
電子書
EB PN1998.3.K585 C58 c2012
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
http://muse.jhu.edu/books/9780252093791/
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入