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Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
Record Type:
Electronic resources : Monograph/item
Title/Author:
Recorded poetry and poetic reception from Edna Millay to the circle of Robert LowellDerek Furr.
Author:
Furr, Derek.
Published:
Basingstoke :Palgrave Macmillan,c2010.
Description:
1 online resource (viii, 198 p.) :ill.
Subject:
American poetryHistory and criticism.20th century
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230109919 (electronic bk.)
Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
Furr, Derek.
Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
[electronic resource] /Derek Furr. - Basingstoke :Palgrave Macmillan,c2010. - 1 online resource (viii, 198 p.) :ill.
Includes bibliographical references and index.
Making poetry records, remaking poetic voices: Caedmon and the Library of Congress -- Poets and critics live at the forum: the occasional recording and Elizabeth Bishop -- Authenticity and audience: Millay, Sexton, and vocal connections -- Impersonations: poets, preachers, teachers, and the remaking of God's Trombones.
Listening to poets read their work focuses critical attention on the craft of the poem, while raising questions about the relationship between social history, technology, and the poet's "voice." Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell offers an analysis of a wide range of recordings, from commercial and amateur, to official studio sessions, to ephemeral events captured on reel-to-reel tape. Through the mid-century performances of poets such as Elizabeth Bishop, Dylan Thomas and Anne Sexton, Derek Furr draws penetrating new conclusions about how and why poetry was recorded in the U.S. from the 1930s to the 1970s.
ISBN: 9780230109919 (electronic bk.)
Standard No.: 9786612992308
Source: 485859Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
176085
American poetry
--History and criticism.--20th centuryIndex Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PS323.5 / .F67 2010
Dewey Class. No.: 811.5
Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
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Includes bibliographical references and index.
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Making poetry records, remaking poetic voices: Caedmon and the Library of Congress -- Poets and critics live at the forum: the occasional recording and Elizabeth Bishop -- Authenticity and audience: Millay, Sexton, and vocal connections -- Impersonations: poets, preachers, teachers, and the remaking of God's Trombones.
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Listening to poets read their work focuses critical attention on the craft of the poem, while raising questions about the relationship between social history, technology, and the poet's "voice." Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell offers an analysis of a wide range of recordings, from commercial and amateur, to official studio sessions, to ephemeral events captured on reel-to-reel tape. Through the mid-century performances of poets such as Elizabeth Bishop, Dylan Thomas and Anne Sexton, Derek Furr draws penetrating new conclusions about how and why poetry was recorded in the U.S. from the 1930s to the 1970s.
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電子館藏
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000000087465
電子館藏
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EB PS323.5 F67 c2010
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1 records • Pages 1 •
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https://link.springer.com/book/10.1057/9780230109919
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