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British romanticism and the Catholic questionreligion, history, and national identity, 1778-1829 /
Record Type:
Electronic resources : Monograph/item
Title/Author:
British romanticism and the Catholic questionby Michael Tomko.
Reminder of title:
religion, history, and national identity, 1778-1829 /
Author:
Tomko, Michael,
Published:
Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011.
Description:
1 online resource (xi, 224 p.) :ill.
Subject:
English literatureHistory and criticism.19th century
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230300453 (electronic bk.)
British romanticism and the Catholic questionreligion, history, and national identity, 1778-1829 /
Tomko, Michael,1975-
British romanticism and the Catholic question
religion, history, and national identity, 1778-1829 /[electronic resource] :by Michael Tomko. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource (xi, 224 p.) :ill.
Includes bibliographical references.
Introduction: The Spirits of the Age -- The Purgatorial Politics of the Catholic Question -- History, Sympathy, and Sectarianism in Elizabeth Inchbald's A Simple Story -- Wordsworth and Superstition -- Shelley's Conflicted Campaign for Catholic Emancipation -- Scott's Ivanhoe and the Saxon Question -- Conclusion: 'The Anxious Hour'-- England in 1829.
British Romanticism and the Catholic Question offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period's most contentious issues. The debate over extending full civil rights to British and Irish Catholics elicited a prolonged political and cultural conflict about the nation's religious and historical identity. It engaged the period's most prominent writers, including S.T. Coleridge, Elizabeth Inchbald, Walter Scott, P.B. Shelley, and William Wordsworth. Beginning with the 1778 Catholic Relief Act, the book follows debates over the Catholic Question across parliamentary speeches, periodical writing, and political cartoons and through the genres of the national tale, epic poetry, the historical novel, and romantic drama. British Romanticism and the Catholic Question argues that while the 1829 Catholic Emancipation Act removed the confessional state's legislative apparatus, the regulation of religious difference passed into culture and reshaped the nineteenth century's approach to religious minorities and toleration in the British nation and empire.
ISBN: 9780230300453 (electronic bk.)
Standard No.: 9786612999574
Source: 474477Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
177016
English literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR468.C3 / T66 2011
Dewey Class. No.: 820.9/38282
British romanticism and the Catholic questionreligion, history, and national identity, 1778-1829 /
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religion, history, and national identity, 1778-1829 /
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by Michael Tomko.
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Includes bibliographical references.
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Introduction: The Spirits of the Age -- The Purgatorial Politics of the Catholic Question -- History, Sympathy, and Sectarianism in Elizabeth Inchbald's A Simple Story -- Wordsworth and Superstition -- Shelley's Conflicted Campaign for Catholic Emancipation -- Scott's Ivanhoe and the Saxon Question -- Conclusion: 'The Anxious Hour'-- England in 1829.
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British Romanticism and the Catholic Question offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period's most contentious issues. The debate over extending full civil rights to British and Irish Catholics elicited a prolonged political and cultural conflict about the nation's religious and historical identity. It engaged the period's most prominent writers, including S.T. Coleridge, Elizabeth Inchbald, Walter Scott, P.B. Shelley, and William Wordsworth. Beginning with the 1778 Catholic Relief Act, the book follows debates over the Catholic Question across parliamentary speeches, periodical writing, and political cartoons and through the genres of the national tale, epic poetry, the historical novel, and romantic drama. British Romanticism and the Catholic Question argues that while the 1829 Catholic Emancipation Act removed the confessional state's legislative apparatus, the regulation of religious difference passed into culture and reshaped the nineteenth century's approach to religious minorities and toleration in the British nation and empire.
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電子館藏
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EB PR468.C3 T66 2011
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https://link.springer.com/book/10.1057/9780230300453
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