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European aestheticism and Spanish American modernismoartist protagonists and the philosophy of art for art's sake /

Record Type:	Electronic resources : Monograph/item
Title/Author:	European aestheticism and Spanish American modernismoKelly Comfort.
Reminder of title:	artist protagonists and the philosophy of art for art's sake /
Author:	Comfort, Kelly,
Published:	[Basingstoke] :Palgrave Macmillan,2011.
Description:	1 online resource (192 p.)
Subject:	Art for art's sake (Movement)
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230307247 (electronic bk.)

European aestheticism and Spanish American modernismoartist protagonists and the philosophy of art for art's sake /
Comfort, Kelly,1975-

European aestheticism and Spanish American modernismoartist protagonists and the philosophy of art for art's sake /[electronic resource] :Kelly Comfort. - [Basingstoke] :Palgrave Macmillan,2011. - 1 online resource (192 p.)

Includes bibliographical references and index.

Acknowledgements -- Introduction: European Aestheticism and Spanish American Modernismo: Re-Defining the Role of Art and the Artist at the Turn of the Century -- PART I: THE ARTIST AVOIDS 'ART FOR LIFE'S SAKE' -- The Artist as Critic and Liar, the Unreal and Amoral as Art in Oscar Wilde -- The Artist as Creative Receptor, the Subjective Impression as Art in Jo�s Asunc�in Silva -- PART II: THE ARTIST PROTESTS "ART FOR THE MARKET'S SAKE" -- The Artist as Elitist Taster, the Unprofaned and Unconsumed as Art in J.-K. Huysmans -- The Artist as Creator not Producer, the Unsold and Unappreciated as Art in Ruben Dario -- PART III: THE ARTIST PROMOTES 'LIFE FOR ART'S SAKE' -- The Artist as Dandy-Aesthete, the Self as Art in Oscar Wilde and Thomas Mann -- The Artist as Dandy-F�lneur, the World as Art in Manuel Gut�irrez �Njera and Jul�in de Casal -- Notes -- Works Cited -- Index.

European Aestheticism and Spanish American Modernismo examines the changing role of art and the artist during the turn-of-the-century period and considers the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery. Through a comparative analysis of fictional works from Wilde, Huysmans, and Mann in the European context and Dario, Silva, Casal, and Gutierrez Najera in the Spanish American context, this transatlantic study locates a shared interest in the philosophy of 'art for art's sake' in both aestheticism and modernismo. The analysis of the aims and attitudes of different types of artist protagonists considers the intersection between the artist figure and the impressionistic and creative critic (chapters 1 and 2), the producers and consumers of art (chapters 3 and 4), and the aesthete, the dandy, and the f�lneur (chapters 5 and 6). It also outlines the ways in which the artist figures avoid 'art for life's sake' (Part I), protest 'art for the market's sake' (Part II), or promote 'life for art's sake' (Part III).

ISBN: 9780230307247 (electronic bk.)

Source: 470260Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

641624
Art for art's sake (Movement)
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: BH301.A7 / C66 2011

Dewey Class. No.: 111/.85

European aestheticism and Spanish American modernismoartist protagonists and the philosophy of art for art's sake /
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520 $a European Aestheticism and Spanish American Modernismo examines the changing role of art and the artist during the turn-of-the-century period and considers the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery. Through a comparative analysis of fictional works from Wilde, Huysmans, and Mann in the European context and Dario, Silva, Casal, and Gutierrez Najera in the Spanish American context, this transatlantic study locates a shared interest in the philosophy of 'art for art's sake' in both aestheticism and modernismo. The analysis of the aims and attitudes of different types of artist protagonists considers the intersection between the artist figure and the impressionistic and creative critic (chapters 1 and 2), the producers and consumers of art (chapters 3 and 4), and the aesthete, the dandy, and the f�lneur (chapters 5 and 6). It also outlines the ways in which the artist figures avoid 'art for life's sake' (Part I), protest 'art for the market's sake' (Part II), or promote 'life for art's sake' (Part III).
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