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Modernism and style

Record Type:	Electronic resources : Monograph/item
Title/Author:	Modernism and styleBen Hutchinson.
Author:	Hutchinson, Ben,
Published:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011.
Description:	1 online resource (p.)
Notes:	Includes index.
Subject:	European literatureHistory and criticism.19th century
Online resource:	https://link.springer.com/book/10.1057/9780230343207
ISBN:	9780230343207 (electronic bk.)

Modernism and style
Hutchinson, Ben,1976-

Modernism and style[electronic resource] /Ben Hutchinson. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource (p.) - Modernism and. - Modernism and--.

Includes index.

Includes bibliographical references and index.

Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.

Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.

ISBN: 9780230343207 (electronic bk.)

Standard No.: 9786613290533

Source: 363563Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

249138
European literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN760.5 / H88 2011

Dewey Class. No.: 809/.9112

Modernism and style
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505 0 $a Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.
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520 $a Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.
520 $a "Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is "saturated with style." It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, Remy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Valery, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of "pure" style and rejecting a literature that is "purely" style. Between these two poles, style emerges, in the words of John Middleton Murry, not as "an isolable quality of writing, but as writing itself.""-- $c Provided by publisher.
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