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British images of Germanyadmiration, antagonism & ambivalence, 1860-1914 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	British images of GermanyRichard Scully.
Reminder of title:	admiration, antagonism & ambivalence, 1860-1914 /
Author:	Scully, Richard.
Published:	Houndmills, Basingstoke, Hampshire :Palgrave Macmillan,2012.
Description:	1 online resource (400 p.)
Subject:	HISTORY / Europe / Germany
Subject:	Great BritainEconomic policy1979-1997.
Online resource:	https://link.springer.com/book/10.1057/9781137283467
ISBN:	9781137283467 (electronic bk.)

British images of Germanyadmiration, antagonism & ambivalence, 1860-1914 /
Scully, Richard.

British images of Germanyadmiration, antagonism & ambivalence, 1860-1914 /[electronic resource] :Richard Scully. - Houndmills, Basingstoke, Hampshire :Palgrave Macmillan,2012. - 1 online resource (400 p.) - Britain and the world.

Includes bibliographical references.

Introduction: The Beginnings -- Mapping Germany, 1860-1914 -- From "Geographical Expression" to German Empire -- "North Sea" or "German Ocean"? : Britain and Germany in the Wider World -- A "Pink Link" : Race, Religion and the Anglo-German Cartographic Freemasonry -- War and the Severing of the "Pink Link" -- Part II. Travelling to Germany, 1860-1914 : A Guidebook -- Britain and Baedeker's Germany -- The Rhine, the Spas, and Beyond : in War and Peace -- Business as Usual : the 1880s and 1890s -- The Last of the Summer Holidays : Twentieth Century Travel -- Part III. Models and Monsters : English Literature and the Idea of Germany -- Learned, Indefatigable, Deep-thinking Germany... -- The German Invasion of Britain in 1872 and "What Became of the Invaders" -- Two Georges and Two Germanies : Gissing & Meredith Commence Debate -- Looking Into the Abyss.. -- Part IV. Punch, Judy and German Michael : Cartoons of Germany -- "Wilhelm in Wonderland" : Germany in the Wars of Unification -- Satiated and Satisfied : Bismarckian Germany -- "Dropping the Pilot" : Wilhelm II and Weltpolitik -- The Coming of the Horrible Hun -- Conclusions.

"British Images of Germany: Admiration, Antagonism & Ambivalence, 1860-1914" is the first full-length cultural history of Britain's relationship with Germany and the Germans in the key period before the First World War. Representing a recent about-face in scholarly appreciations of Anglo-German relations, Richard Scully reassesses the assumption that the relationship in the lead up to 1914 was increasingly fraught and reveals a more complex picture: that a longstanding sense of kinship felt by Britons for Germany and the Germans persisted right up to the outbreak of war, even surviving times of acute diplomatic tension. This innovative re-examination incorporates the reading of British images of Germany in maps, travel literature, fiction and political cartoons: forms which have never before been appreciated for the light they shed on this fascinating period of history.

ISBN: 9781137283467 (electronic bk.)

Source: 404989MILSubjects--Topical Terms:

565389
HISTORY / Europe / Germany
Subjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: DD228.2 / .S38 2012eb

Dewey Class. No.: 943/.08

British images of Germanyadmiration, antagonism & ambivalence, 1860-1914 /
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520 $a "British Images of Germany: Admiration, Antagonism & Ambivalence, 1860-1914" is the first full-length cultural history of Britain's relationship with Germany and the Germans in the key period before the First World War. Representing a recent about-face in scholarly appreciations of Anglo-German relations, Richard Scully reassesses the assumption that the relationship in the lead up to 1914 was increasingly fraught and reveals a more complex picture: that a longstanding sense of kinship felt by Britons for Germany and the Germans persisted right up to the outbreak of war, even surviving times of acute diplomatic tension. This innovative re-examination incorporates the reading of British images of Germany in maps, travel literature, fiction and political cartoons: forms which have never before been appreciated for the light they shed on this fascinating period of history.
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