國立高雄大學圖資館 |

Language: English

Back

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Phenomenology and the future of filmJenny Chamarette.
Reminder of title:	rethinking subjectivity beyond French cinema /
Author:	Chamarette, Jenny,
Published:	New York :Palgrave Macmillan,2013.
Description:	1 online resource.
Subject:	Motion picturesPhilosophy.
Online resource:	https://link.springer.com/book/10.1057/9781137283740
ISBN:	9781137283740 (electronic bk.)

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /
Chamarette, Jenny,1981-

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /[electronic resource] :Jenny Chamarette. - New York :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.

Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.

ISBN: 9781137283740 (electronic bk.)

Source: 504034Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

181377
Motion pictures
--Philosophy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.P42 / C53 2013

Dewey Class. No.: 791.4301

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /
LDR:02716cmm 2200361Ka 4500 001 403126
003 OCoLC
005 20130621115123.0
006 m o d
007 cr cn|||||||||
008 140117s2013 nyu obq 000 0 eng d
020 $a 9781137283740 (electronic bk.)
020 $a 1137283742 (electronic bk.)
035 $a (OCoLC)815767470
035 $a ocn815767470
037 $a 504034 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d YDXCP $d N
049 $a TEFA
050 4 $a PN1995.9.P42 $b C53 2013
072 7 $a PER $x 004030 $2 bisacsh
082 0 4 $a 791.4301 $2 23
100 1 $a Chamarette, Jenny, $d 1981- $3 642934
245 1 0 $a Phenomenology and the future of film $h [electronic resource] : $b rethinking subjectivity beyond French cinema / $c Jenny Chamarette.
260 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references.
504 $a Includes filmography.
505 0 $a Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
520 $a Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 181377
650 0 $a Motion pictures $x Psychological aspects. $3 221678
650 0 $a Subjectivity in motion pictures. $3 642935
650 0 $a Experimental films $x History and criticism. $3 222056
650 0 $a Phenomenology. $3 268097
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 565197
655 4 $a Electronic books. $2 local. $3 214472
776 0 8 $i Print version: $a Chamarette, Jenny, 1981- $t Phenomenology and the future of film. $d New York : Palgrave Macmillan, 2013 $z 9780230299535 $w (DLC) 2012033383 $w (OCoLC)792880335
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137283740
938 $a YBP Library Services $b YANK $n 9906675
938 $a EBSCOhost $b EBSC $n 502060
994 $a C0 $b TEF