國立高雄大學圖資館 |

Language: English

Back

Theatres of immanenceDeleuze and the ethics of performance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatres of immanenceLaura Cull.
Reminder of title:	Deleuze and the ethics of performance /
Author:	Cull, Laura.
Published:	Houndmills, Basingstoke, Hampshire, [England] ;Palgrave Macmillan,2012.
Description:	1 online resource.
Subject:	Performing artsPhilosophy.
Online resource:	https://link.springer.com/book/10.1057/9781137291912
ISBN:	9781137291912 (electronic bk.)

Theatres of immanenceDeleuze and the ethics of performance /
Cull, Laura.

Theatres of immanenceDeleuze and the ethics of performance /[electronic resource] :Laura Cull. - Houndmills, Basingstoke, Hampshire, [England] ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Immanent Authorship: From the Living Theatre to Cage and Goat Island -- Disorganizing Language, Voicing Minority: From Artaud to Carmelo Bene, Robert Wilson & Georges Lavaudant -- Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates -- Paying Attention, Participating in the Whole: Allan Kaprow Alongside Lygia Clark -- Ethical Durations,Opening to Other Times: Returning to Goat Island with Wilson -- In-Conclusion: What 'Good' is Immanent Theatre? Immanence as an Ethico-aesthetic Value.

Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fra�nois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?'.

ISBN: 9781137291912 (electronic bk.)

Source: 527705Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

291233
Deleuze, Gilles,
1925-1995.Subjects--Topical Terms:

193455
Performing arts
--Philosophy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: B2430.D454 / C85 2012

Dewey Class. No.: 194

Theatres of immanenceDeleuze and the ethics of performance /
LDR:04502cmm 2200481Ka 4500 001 403131
003 OCoLC
005 20130621115124.0
006 m o d
007 cr cn|||||||||
008 140117s2012 enk ob 001 0 eng d
019 $a 816812194
020 $a 9781137291912 (electronic bk.)
020 $a 1137291915 (electronic bk.)
020 $z 9780230319523
020 $z 0230319521
020 $z 9781283737838
020 $z 1283737833
029 1 $a AU@ $b 000050193202
035 $a (OCoLC)815767476 $z (OCoLC)816812194
035 $a ocn815767476
037 $a 527705 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d YDXCP $d CDX $d N $d EBLCP
043 $a e-fr---
049 $a TEFA
050 4 $a B2430.D454 $b C85 2012
072 7 $a PHI $2 eflch
072 7 $a PHI $x 016000 $2 bisacsh
082 0 4 $a 194 $2 23
100 1 $a Cull, Laura. $3 482001
245 1 0 $a Theatres of immanence $h [electronic resource] : $b Deleuze and the ethics of performance / $c Laura Cull.
260 $a Houndmills, Basingstoke, Hampshire, [England] ; $a New York : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
504 $a Includes bibliographical references and index.
505 0 $a Immanent Authorship: From the Living Theatre to Cage and Goat Island -- Disorganizing Language, Voicing Minority: From Artaud to Carmelo Bene, Robert Wilson & Georges Lavaudant -- Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates -- Paying Attention, Participating in the Whole: Allan Kaprow Alongside Lygia Clark -- Ethical Durations,Opening to Other Times: Returning to Goat Island with Wilson -- In-Conclusion: What 'Good' is Immanent Theatre? Immanence as an Ethico-aesthetic Value.
520 $a Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fra�nois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?'.
520 $a "Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fran�cois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?' "-- $c Provided by publisher.
588 $a Description based on print version record.
600 1 0 $a Deleuze, Gilles, $d 1925-1995. $3 291233
650 0 $a Performing arts $x Philosophy. $3 193455
650 0 $a Performing arts $x Ethics. $3 642948
650 0 $a Performance $x Moral and ethical aspects. $3 642949
650 7 $a PERFORMING ARTS / Theater / General. $2 bisacsh $3 566245
650 7 $a PERFORMING ARTS / Theater / History & Criticism. $2 bisacsh $3 565081
650 7 $a PHILOSOPHY / Criticism. $2 bisacsh $3 642950
650 7 $a PHILOSOPHY / History & Surveys / Modern $2 bisacsh $3 565796
655 4 $a Electronic books. $2 local. $3 214472
776 0 8 $i Print version: $a Cull, Laura. $t Theatres of immanence. $d Houndmills, Basingstoke, Hampshire, [England] ; New York : Palgrave Macmillan, 2012 $z 9780230319523 $w (DLC) 2012034171 $w (OCoLC)798615432
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137291912
938 $a YBP Library Services $b YANK $n 9906686
938 $a Coutts Information Services $b COUT $n 24150250 $c 55.00 GBP
938 $a EBSCOhost $b EBSC $n 502046
938 $a EBL - Ebook Library $b EBLB $n EBL1058339
994 $a C0 $b TEF