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Theatres of immanenceDeleuze and the ethics of performance /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Theatres of immanenceLaura Cull.
其他題名:	Deleuze and the ethics of performance /
作者:	Cull, Laura.
出版者:	Houndmills, Basingstoke, Hampshire, [England] ;Palgrave Macmillan,2012.
面頁冊數:	1 online resource.
標題:	Performing artsPhilosophy.
電子資源:	https://link.springer.com/book/10.1057/9781137291912
ISBN:	9781137291912 (electronic bk.)

Theatres of immanenceDeleuze and the ethics of performance /
Cull, Laura.

Theatres of immanenceDeleuze and the ethics of performance /[electronic resource] :Laura Cull. - Houndmills, Basingstoke, Hampshire, [England] ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Immanent Authorship: From the Living Theatre to Cage and Goat Island -- Disorganizing Language, Voicing Minority: From Artaud to Carmelo Bene, Robert Wilson & Georges Lavaudant -- Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates -- Paying Attention, Participating in the Whole: Allan Kaprow Alongside Lygia Clark -- Ethical Durations,Opening to Other Times: Returning to Goat Island with Wilson -- In-Conclusion: What 'Good' is Immanent Theatre? Immanence as an Ethico-aesthetic Value.

Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fra�nois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?'.

ISBN: 9781137291912 (electronic bk.)

Source: 527705Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

291233
Deleuze, Gilles,
1925-1995.Subjects--Topical Terms:

193455
Performing arts
--Philosophy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: B2430.D454 / C85 2012

Dewey Class. No.: 194

Theatres of immanenceDeleuze and the ethics of performance /
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520 $a Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fra�nois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?'.
520 $a "Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fran�cois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?' "-- $c Provided by publisher.
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