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Media parasites in the early avant-gardeon the abuse of technology and communication /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Media parasites in the early avant-gardeArndt Niebisch.
Reminder of title:	on the abuse of technology and communication /
Author:	Niebisch, Arndt.
Published:	New York :Palgrave Macmillan,2012.
Description:	1 online resource (pages cm.)
Subject:	Communication and the arts.
Online resource:	https://link.springer.com/book/10.1057/9781137276865
ISBN:	9781137276865 (electronic bk.)

Media parasites in the early avant-gardeon the abuse of technology and communication /
Niebisch, Arndt.

Media parasites in the early avant-gardeon the abuse of technology and communication /[electronic resource] :Arndt Niebisch. - New York :Palgrave Macmillan,2012. - 1 online resource (pages cm.)

1. The Press and the Parasites -- 2. Poetic Media Effects -- 3. Parasitic Media -- 4. Parasitic Noise -- 5. Ether Parasites -- Conclusion: Odradek and the Future of the Parasite --.

The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.

ISBN: 9781137276865 (electronic bk.)

Source: 634164Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 016242980UkSubjects--Topical Terms:

643525
Communication and the arts.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: NX180.C65 / N54 2012

Dewey Class. No.: 700/.411

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520 $a The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.
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